A Quote by Whit Stillman
My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.
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The latest gorgeous entry in the Belknap Press' growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat-luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstoresthis season.
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
'Clueless' is an adaptation of 'Emma' by Jane Austen. It works either way: if you know the book and if you don't.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.
I think as far as the action genre goes, I like when it has a sense of humor. I'm a Jane Austen/Jane Eyre kind of girl.
I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.
Growing up, I mostly read comic books and sci-fi. Then I discovered the book 'Jane Eyre' by Jane Austen. It introduced me to the world of romance, which I have since never left. Also, the world of the first-person narrative.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
I loved Paris, Je T'aime. It's like my top favorite things I've ever done and I think it was a beautiful. I think it was a perfect seven minute movie, or whatever it was.
When I was in my twenties, I strongly identified with Jane Austen's 'Emma' - her human failings mixed with a desire to do good.
From a plot perspective, what I finally found for my touchstone was that I consider 'Upside' to be a loose telling of Jane Austen's 'Emma,' or 'Clueless.'
I've always loved books by the Bronte sisters. I love Jane Austen, too. I'm more influenced by people like her than by pop culture.
I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
It's one of the most beautiful scripts [Brokeback Mountain] I've ever read, and it was Ang Lee, and at the time Heath [Ledger] was a friend of mine - before we even shot the movie - and always sort of alluring to me.
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