A Quote by Whit Stillman

I fell for a Spanish woman and followed her to Spain. We got married there, and then I got involved in the Spanish film industry and got the material for 'Barcelona.' It was my way of breaking into the film industry.
Now that I've got a way in [to the industry] - because it can feel a bit like, "How can I possibly write a film?" - but now that I've got at least some experience in the film world, I'd absolutely love to do it again.
I've got Spanish grandparents and I've got a connection with Spain. But I consider myself English and I want to play for England.
Every industry has got its distinct identity. The Malayalam film industry is right up there with some of the greatest content, artistes and technicians.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I find myself apologising for not being a proper actor. I never intended to be involved in the film industry and still do feel that, with the exception of a couple of brief skirmishes with the film industry.
I don't speak Spanish. I understand enough of it, having spent some time running Telemundo, and I put in a lot of time in Spain during the Barcelona Olympics. But I don't pretend to speak Spanish, and I don't want anyone to think that I can.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
But at the same time, the film industry just got torched. The risk tolerance for the types of movies we're talking about is lower, and the reason for that is that the captains of the industry were asleep at the switch when their core business was being disrupted. And they're never getting it back. In a way, it makes it all the more exciting when the good ones get through.
Instead of saying 'unique,' I will say 'Kattappava Kaanom' is a very special and lucky film for me because I got the chance to step into Hindi film industry when I was in the shoot of this movie.
My father has acted in over 700 films. My mother acted in one film, 'Kismat with Mithun Chakraborty,' in which my father also had a role. My father fell in love with her and would drive her around in his sports car, and they subsequently got married. My mom is the most beautiful woman and I think she has taken some serum to look young all her life.
I grew up speaking Spanish. The woman who helped raise me was only Spanish-speaking, so it was one of my primary languages as a kid. And I lived in Spain for a while.
If you've got an industry where you've got massive investment, it doesn't matter whether you bring in alternative supplies. You still lose the money on that industry.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
In 2012, I got my first Gujarati film. After that, a lot of things changed for me and for the Gujarati film industry. I did my early films by taking leave from my engineering job.
Hollywood is a film industry, a film business. I don't approach my career in that way. I see it as 'art,' and I become involved in films that ring my bell.
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