A Quote by Whitney Wolfe Herd

I guarantee that if you threw 100 people into a room, the first three questions they would ask each other are: 'Where did you grow up?,' 'Where did you go to school?' and 'What do you do for a living?' Most people on Bumble are looking for a life partner, and those things have a huge impact on compatibility.
When I did 'Bumble-ardy,' I was so intensely aware of death. Eugene, my friend and partner, was dying here in the house when I did 'Bumble-ardy'. I did 'Bumble-ardy' to save myself. I did not want to die with him. I wanted to live, as any human being does.
When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
We did that often, asking each other questions whose answers we already knew. Perhaps it was so that we would not ask the other questions, the ones whose answers we did not want to know.
Just classic immigrant story - I mean, child of immigrant story - did not grow up with cable and so felt constantly like I was being spoken to in a foreign language when I would go to school. And people would be like, did you watch this? Did you watch that? I'd be like, no, but I did watch 'SNL.'
One of my fondest memories from childhood is of looking at a globe with my father. "What's the biggest country?" he'd ask me and my sister. We'd spin the globe around and guess. . . . The globe brought me a sense of wonder and adventure. I wanted to go to those other places and see how people did things differently. And, many years later, when I did visit other countries, I took my father's interest and fascination with me. When we plant the seeds of fascination and respect for other people, we are teaching tolerance and peace.
I know that big people don't like questions from children. They can ask all the questions they like, How's school? Are you a good boy? Did you say your prayers? but if you ask them did they say their prayers you might be hit on the head.
When I was 19, I was in a horrific car accident, and it taught me that at the end of our life, we ask all these questions. And my questions, I discovered, were: Did I really live my life? Did I love? Did I matter? And I was unhappy with the answers.
Nobody gets to live life backward. Look ahead; that is where your future lies. Opportunities are usually disguised as hard work, so most people don't recognize them. People who care about each other enjoy doing things for one another. There are really only three types of people: those who make things happen, those who watch things happen, and those who say, What happened?
I'm a fan of Bill Hicks. He did things that no other stand up did at the time. He was making fun of religion, at that time it was a lot harder to say those things in the States than it was here. To slag off Christianity and fundamentalist Christians, and to be pro drugs and anti gun in the deep south, that's a big ask. And he did that and made it funny. Bill Hicks was able to say things that he really thought, and he managed to make those thoughts funny without a care if it antagonised people.
The first time I did a reading/signing thing at Cody's, the woman who did the introduction said something like that, and I wasn't the only one cringing. I remember looking out into the audience and seeing people's faces and people whispering to each other, and thinking like "Ugh, can we just cancel the whole thing? I can't go out there after she said that."
I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles. So I went to the school and, being a smart cookie - as they called us in those days - I had a million questions. How did this place exist? How come I didn't know about it? Why are people living like this? Do they want to live like this?
I’ve always been able to tell a lot about people by whether they ask me about my scar. Most people never ask, but if it comes up naturally somehow and I offer up the story, they are quite interested. Some people are just dumb: 'Did a cat scratch you?' God bless. Those sweet dumdums I never mind. Sometimes it is a fun sociology litmus test, like when my friend Ricky asked me, 'Did they ever catch the black guy that did that to you?' Hmmm. It was not a black guy, Ricky, and I never said it was.
I would ask my dad what he did, and he'd say, 'I listen to people's problems.' In some way what he did for a living is in my genes.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
People always ask if I was really voted Most Bizarre Girl in high school. But that one's actually true. I was living in Michigan in a very conservative town and had a nose-ring and a shaved head and did kind of strange things.
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