A Quote by Whitney Wolfe Herd

When I first got started in this whole world of online connecting, we were combating this antiquated stereotype of who used online dating, and we really set out to make it popular with millennials. What I find to be so fascinating now is, I'm seeing an inverse in that trend.
I've never done online dating, but first of all, I have a book out called 'Make It Last Forever: The Do's and The Dont's,' which led me to do the online dating thing. A lot of people respect my relationship songs, so they can pretty much trust me.
I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
I truly believe that what we're seeing with online dating is very similar to what happened with the Myspace-Facebook era, where Myspace was once this place for online connecting for a very select group of young people. And then Facebook kind of hit at this moment where it was acceptable for everybody to do it.
I think half the people who get married now have met online. If I think about all the people in my life who married - they met online, online, online. And it makes sense if you think about it, because you fill out this form of 35 things that really define you and - bam - look, you've got two people who match. It works.
Dating can be painful, can be great, can be confusing, can be weird, but I don't do it online because I'm not really an online person.
San Bernardino involved two killers were actually radicalized before they started courting or dating each other online, and online as late as - as early as the end of 2013, they were talking to each other about jihad and martyrdom before they became engaged and then married and lived together in the United States.
My work involves online dating, but I believe almost every behavior exhibited online has an offline corollary. Really, the medium doesn't change human nature.
Online is online. It's a whole other world. It's not actually real life.
It's a whole new world out here. The online world is like a blackboard on which, when you write, the whole world can see - and I'm thrilled about this development. I want to make full use of it.
Prior to the online platform, I had to make sure I go around and have conversations and go to schools and make appearances. But now with online presence, I try to put out videos and different posts every day. I try to inspire.
You can never compare a stadium full of people to statistics online ... There's something about seeing people's faces, and it's amazing [seeing how] things online can also be translated offline.
I'm not in to the whole online dating-thing as a whole, so I'd swipe left on Tinder itself.
Since the first announcement of 'Korra' a few years ago, our fan presence online has just been huge and it's really active online. And as TV distribution evolves, even between 'Book 1' and 'Book 2,' it's evolved even more, our audience is increasingly online.
As writer pay declined and teacher pay also, we all started hanging out online. You could say online social networks cheapen our friendships or you could say we were cheapened by a plutocratic power grab and this is all we can afford.
One of the reasons I love the online world is that although that exists in abundance you can choose absolutely which part of the online world you want to live in. You can make your own kingdom in that sense.
Before 'American Idol' and all this stuff, I was obsessed with music charts, and I used to go online to find out what was popular in other countries. I'd log on to the BBC website, and that's how I found out about artists like Natasha Bedingfield, Daniel Bedingfield and Take That.
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