A Quote by Whitney Wolfe Herd
I was 24 when I was embroiled in a high-profile lawsuit. This was 2014, long before, en masse and on social media, we said #MeToo and #TimesUp. At the time, I felt completely alone. Visceral, hateful online harassment from strangers left me paranoid and anxious for years afterward.
Related Quotes
Online media is the future, and younger feminists are already instrumental in using social media and multi-media platforms on the web to document street harassment, archive and critique the media, and create art.
As we know, one of the dark sides of social media is online harassment.
A big barrier to people getting help with online harassment is the general attitude either that it's not a real issue - that it's 'only' online - or that it's limited to someone saying they don't like you, and all of that stems from a basic misunderstanding of what we mean when we say 'online harassment.'
Despite my high profile on social media, I'm a private person.
When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.'
I've lost count of the number of times that I've been approached by strangers wanting to tell me that they think I'm brave or inspirational, and this was long before my work had any kind of public profile.
The 24/7 nature of online debate, on the web and across social media, has allowed for more vibrant discussion of the opinions we publish - and your own.
Online harassment, especially gendered online harassment, is an epidemic. Women are being driven out; they're being driven offline. This isn't just in gaming. This is happening across the board online, especially with women who participate in or work in male-dominated industries.
No surprise that, as companies have adopted social media en masse, demand for software and applications to manage and monitor social use has exploded.
I'm interested in the opportunity that people can self-create using social media and the online dialogue. Before social media, you needed to have a lot of personal funds to break through to hire the right people and build a presence to start a line. It gives the opportunity and platform for people to be discovered.
We all know the power of social media, things can get out there so quickly. We are high-profile footballers, we know that.
Jeff [Koons] called me because he'd seen a portrait of David Bowie, at the beginning of the 80s - I've known Jeff for a long time - and he said, Greg, I want to look like a high-profile celebrity, living on the edge. I think that says it all.
With social media, I've never felt completely comfortable with it.
It's funny: I spend time in the book criticizing social media, but I'm also aware that a lot of my success is because of social media. I can broadcast myself and my work to thousands of people that are following me or my friends. I do think that social media can be good for self-promotion.
Movements such as #MeToo and #TimesUp are ample proof that perpetrators get away because it is hard for victims to speak up. Power dynamics and lack of support from colleagues and acquaintances does not help matters.
I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
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