A Quote by William Friedkin
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
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I'd rather be around a passionate nerd than a non-passionate cool person. Because if you lack passion, your soul is diminishing by the second. You have to be passionate about something. Call it obsessed or whatever you want, but be obsessed about something. Obsessed people care. I'm passionate about so many things, it becomes an issue at certain points, but at least you have the ability to feel that much about something.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
Music business is not for everyone. But if you have it in you, you have that passion, if you have that energy in you that you really want to make something creative and make something that's going to impact the world, then go for it, do it and don't let anybody tell you no.
I just start with a pencil and paper. I don't want something too trendy, too fashion-forward. I don't want to make something I consider a regular person couldn't wear with blue jeans. But I don't want to make something that other people make, either - like a skinny black suit in a shiny material that you can buy anywhere.
When I go in the studio, I put myself into a place where I'm feeling something I want to portray, which is often being sad, lonely. But as soon as I'm starting to make something, it's when I'm the happiest. Ever. I think that comes out at the same time, so there's that juxtaposition.
We'd really like for BlizzCon to be something that the people who really really want to go, if this is something you're really passionate about, you want to be here at BlizzCon, we'd like it to be possible for you to get here. When we are selling out in a couple seconds, it's really not possible for a lot of people that really want to come.
I love the intimacy and the passion and the danger that go into independent filmmaking. Because it comes out of a creative necessity. It comes from people who really want to make a movie and want to make a difference and want to grab an audience by the gullet and show them something different.
The idea of being in a television series is a wonderful one to be considered, but you want to make sure it's the right thing for you because if you are fortunate enough to have something go for a long term, you want to make sure that it's something that you really want to be spending a bulk of your time on.
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, “I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.”
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, 'I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.'
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
Don't you just want to make something that lives forever? Something that's phenomenal, something that's great, something that's undeniable? That touches the core of every person that hears it?
More than anything, I just think about what roles I take on and make sure that it's really something that I feel passionate about if I'm going to leave home and go work.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
Persistence is incredibly important. Persistence proves to the person you're trying to reach that you're passionate about something, that you really want something.
I don't want to be some actor talking about how he wants to be a musician. It's something I'm really passionate about and I don't want to be spouting off at the mouth about something before it's out there and can speak for itself.
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