A Quote by Wim Wenders

In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
Mine is a European imagination, shaped largely by my very promiscuous reading in German, French, English and, with greater difficulty, Italian.
The recent riots in France demonstrate the problem European countries face where second and third generation immigrants still do not consider themselves French, German, or English.
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
On Russia, I can only repeat what the president [Barack Obama] said. This is all about respecting certain principles, and I'm saying this from a European vantage point, from a European, from a German vantage point, sorry, the fact that for over 70 years we have been able to enjoy peace.
I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.
I speak five languages: English, Swedish, French, Italian, and German.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
Italian is the language of song. German is good for philosophy and English for poetry. French is best at precision; it has a rigour to it.
I'm not a lukewarm European. I know that the German-French friendship is indispensable, no matter who the countries' leaders are.
I learned to say 'hello' in German, French, Spanish, Dutch, Chinese, Indonesian, and Italian - languages of the countries I've visited.
Growing up in Switzerland, you learn German pretty much from day one in school. You learn French and Italian as well. I took English as an extra language because I figured that was the language of the world.
So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.
The mere fact that my comments have caused such strong protests, although I'm not a European, and also the fact that I have been compared with certain persons in German history indicates how charged with conflict the atmosphere for research is in your country. Here in Iran you needn't worry.
Over 30 years ago, Airbus was founded by a European consortium of French, German, and later Spanish and British companies to compete in the large commercial aircraft industry with U.S. companies.
In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces.
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