A Quote by Wim Wenders
I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.
Related Quotes
So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
Like leggings, comedies created by women came into vogue in the late 1980s, exploded in the early '90s, went mainstream in the mid-'90s, and were shoved into the back of the closet around 1997.
I grew up listening to 1980s country music, mostly. Early '90s. That time period was my favorite.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
We're no longer bored - in fact we're petrified of being alone with ourselves getting bored. Yet boredom is the foundation for creativity - an asset slowly disappearing from our world.
As an immigrant, there's a little part of you that always says, "Well, I'm not a hundred percent American." America is some other little boy or some other place I haven't been to yet.
Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
It's a process and it's a matter of understanding the horse and through any of these little projects you have a beginning, a middle and an end. And if you made up your mind early when he's still scared, you'd think that wasn't working at all. Sometimes it might get darker, before it gets dawn. You might have to work at it a little bit in order for it to come out the other side.
There might have been a hundred or a thousand life-bearing planets, had the course of evolution of the universe been a little different, or there might have been none at all. They would probably add, that, as life and man have been produced, that shows that their production was possible; and therefore, if not now then at some other time, if not here then in some other planet of some other sun, we should be sure to have come into existence; or if not precisely the same as we are, then something a little better or a little worse.
My enthusiasm for L.A. stems from my father, who was a lecturer in American literature at the University of Birmingham. Through his work, our family did several house swaps with L.A. families. It was a dreadfully daring thing to do in the early 1980s; there was no Internet, so you had no idea of what you were getting into.
If you're going to break cinema, film, and movies apart, very rarely to you get the opportunity to even think that you've been a part of cinema.
Ever since I was little, I was changing the pace. I think I was just getting bored on the court, so I was trying anything. It's been working ever since. I've been practicing it, and it's obviously throwing off a lot of players.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director