A Quote by Wim Wenders

The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in. — © Wim Wenders
The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
I have already settled it for myself so flattery and criticism go down the same drain and I am quite free.
The independent film business is pretty much gone. Now you can do it in a format where you actually get to develop a character over a period of time.
We live in a consumer culture, and Black Friday is like the July 4th of that culture. It might be good not to live in this culture, but it terms of what we can do to make people safer at big sales, it seems more useful to try to avoid dangerous crowd conditions.
Producing a film is more unfamiliar territory. Although producing an album and overseeing artists is a task within itself. But film is unfamiliar territory so, here and now, that's more difficult.
Real family values have gone down the drain in modern families.
The weekly cartoons, as were my plays, came from a sense of criticism, criticism of the times, critical of the culture, of our manners and attitudes towards each other. The children's books come from the reverse. They're more supportive, since we're living in a time where we talk more about kids and do less, we talk about balancing the budget and we do it by cutting education.
I signal with an independent label, Continuum. After that I put out a totally independent record, sold fourteen thousand of them from my basement, bought a house, started raising my kid, made a decent living.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
I want to separate from the Palestinians. I want them to have their independent, separate state on a contiguous territory, and I want Israel to exist, of course, as a Jewish state in its own territory, as an independent state in its own territory. The Palestinian state, the Israeli state, separate. This is my dream.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
I think we were damned lucky that our music never went down the drain because we went down the drain, and I think, in truth, there are moments where you could have said we got pretty close, you know.
Ender stepped under the water and rinsed himself, took the sweat of combat and let it run down the drain. All gone, except they recycled it and we'll be drinking Bonzo's blood water in the morning. All the life gone out of it, but his blood just the same, his blood and my sweat, washed down in their stupidity or cruelty or whatever it was that made them let it happen.
Ever since I started, I think Bollywood has gone through a lot of changes. Film producers now want to experiment with their movie's music and that's why you see many of them working with independent musicians.
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