A Quote by Wong Kar-wai

I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. — © Wong Kar-wai
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform.
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best way is to not to fit into this uniform but to make this uniform a part of yourself.
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else.
Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.
I never have a genre in mind when I'm making music because I just like to be free. I feel that placing a genre on your music is limiting yourself.
I wouldn't really, realistically speaking, know the difference between wearing an S.S. uniform and a U.S. Marine uniform. To me it's all a uniform.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I don't think I make genre movies. There is a certain type of violence in my films but I think I have my own genre because I made it happen like that.
The colors black and white are my uniform, to honor the working class. People like my parents, who were janitors and had to wear a uniform every day. It keeps me grounded.
America has a long history of pride in the military uniform, and the Army has a 362-page directive on proper uniform wear. Included are guidelines that accommodate freedom of religion by outlining what religious attire or jewelry can be worn with the uniform.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.
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