A Quote by Wong Kar-wai

The industry and support in China has really matured because there are so many productions there. At the same time, there's been a lot of changes in the market, which I think also has enabled productions like 'The Grandmaster' to happen and to be possible to shoot in China.
I think the compositional side of my productions have progressed and matured a lot more, and creating melodies is actually what I have always enjoyed the most, so my productions will always contain that strong musical element.
After the Revolution in '49, all the films were propaganda. They serviced the government and carried the message that the government wants to relay to the people. But I think, in the last 10 years, because the film market is opening and there's an expansion of all the cinemas in China, it's now a lot like Hollywood productions.
President Obama is in China. Also in China is evil Russian dictator Vladimir Putin. They're both in China at the same time. It's like running into your ex-girlfriend on vacation.
We have met our passion to be ambition to grow our market share significantly in North America. Motorola helps address two other priority markets for us - the acquisition has enabled us to become the No. 1 foreign vendor in Japan. It also gives us an increased market share with China Mobile in China.
In the short term, it would not have made it possible to resume relations, because in the Chinese mind, the humiliation of China started with the annexation of Taiwan by Japan. If the United States had suddenly declared Taiwan as a separate state - for which we would have had no support among other nations - the consequences would have been giving up our relationship with China and committing ourselves to a long-term conflict with China.
I think it's possible that China is ready for a serious change regarding its North Korean defector policy. Chinese people are starting to realize that so many defectors have been suffering in China, and it doesn't have to be this way.
I was posted to China in the summer of 1988, which was the greatest time ever, I think, to have been in China.
Every time there has been an attempt to disturb it, it led to two things. It led to immediate intense conflict with China, and it led to a reaffirmation in the end, because nobody wanted a major confrontation with China to this principle of a "one China" policy within which Taiwan is finding a place now. Its own position has greatly improved since the Nixon policy. It is richer, it is stronger and it is participating in many international organizations.
You cannot just depend on the market, because the market will say: China needs oil; China needs coal; China needs whatever, and Africa has got all these things in abundance. And we go there and get them, and the more we develop the Chinese economy, the larger the manufacturing is, the more we need global markets - sell it to the Africans which indeed might very well destroy whatever infant industries are trying to develop on the continent. That is what the market would do.
You American people worry too much about the China economy. Every time you think China is a problem, we get better, but when you have a high expectation for China, China is always a problem.
I've been to Japan but I've never been to China, I'd love to go to China. I don't know, I like to go to places that are remote. So, I think I'd like to do that more. And just sort of also explore not having a structured work life someday, to have more free time to sort of see what happens.
What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence.
There are a lot of Chinese-American designers and Chinese designers who have had an impact a little bit on the American market, but I think it's going to be interesting to watch if, over time, somebody can emerge from China who is based in China, and whether they come and show in Paris, like Rei Kawakubo or Yohji Yamamoto did.
China is a developing country with a huge population, and also a developing country in a crucial stage of reform. In this context, China still faces many challenges in economic and social development. And a lot still needs to be done in China, in terms of human rights.
There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China.
China is a rising adversary. So one of the things we have to do if we want China's support is to push back on China.
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