A Quote by Woody Allen

See, I never gain an ounce, because, you know, my anxiety acts like aerobics. — © Woody Allen
See, I never gain an ounce, because, you know, my anxiety acts like aerobics.
Malicious acts are performed by people for personal gain … Sorcerers, though, have an ulterior purpose for their acts, which has nothing to do with personal gain. The fact that they enjoy their acts does not count as gain. Rather, it is a condition of their character. The average man acts only if there is a chance for profit. Warriors say they act not for profit but for the spirit.
I said, I'll put on weight. And I started having massages, taking cod-liver oil, and eating twice as much. But I didn't even gain an ounce. I'd made up my mind that on the day the engagement was announced I'd be fatter, and I didn't gain an ounce. Then I went to Mussoorie, which is a health resort, and I ignored the doctors' instructions; I invented my own regime and gained weight. Just the opposite of what I'd like now. Now I have the problem of keeping slim. Still I manage. I don't know if you realize I'm a determined woman.
I wanted to put a human face on anxiety disorders. I thought people who suffer from anxiety might recognize themselves and gain some comfort from my story and for those who don't suffer from anxiety disorders gain some understanding.
The only thing I'd like to see is to give fighters an option to wear a small headguard, a one-ounce headguard. Some fighters might not want that option. But you know - you're training all the time, you're boxing all the time, and you've got a headguard on, you're using big gloves, and you're getting hit. And you observe that your face is better protected that way. Now they're doing it with ten-ounce gloves and no headguard. I think if they have a one-ounce headguard on to protect some of those brain cells in the head, it would be beneficial to the fighter.
Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
My first album deals with my anxiety. It wasn't like, to heal my anxiety and by writing an album I'm now healed. It was, here's a sound representation of what it feels like to be in an anxiety attack and that's it. I think we can say the same with image, people look at an image and see a billion different things.
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself." "Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
Surveillant anxiety is always a conjoined twin: The anxiety of those surveilled is deeply connected to the anxiety of the surveillers. But the anxiety of the surveillers is generally hard to see; it's hidden in classified documents and delivered in highly coded languages in front of Senate committees.
I do not see myself, I never make plans, I never set goals, and I never do that kind of stuff; I don't like to futurize, I barely know what I will do tomorrow, and because there is a working plan here, I've never futurized because life always surprises me with things even better.
I do not see myself, I never make plans, I never set goals and I never do that kind of stuff I don't like to futurize, I barely know what I will do tomorrow and because there is a working plan here, I've never futurized because life always surprises me with things even better.
The art of never making a mistake is crucial to motherhood. To be effective and to gain the respect she needs to function, a mother must have her children believe she has never engaged in sex, never made a bad decision, never caused her own mother a moment's anxiety, and was never a child.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
Rational anxiety is when you're aware of the source of your anxiety. Like, if I have to host an award show or talk to millions of people on the radio, I'm going to feel anxious, and I know why. Irrational anxiety is when I'm leaving CVS, and there's a car behind me, and I'm wondering if he's following me home.
I know for me, music was the best drug for anxiety. So that's why I wanted to write the music that I do, because it always suits my anxiety. It's a huge part of my life, and being able to make music that can help people with their anxiety is a huge thing for me.
Riding a Ducati is like having sex with an aerobics instructor - you know, I'm exhausted and panting and it's going: 'Are you done, already?'
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