A Quote by Woody Allen
I usually want to crawl into the ground after I make a film, almost invariably.
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I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
Watching yourself on film, if you've never watched yourself on film before, you want to go crawl into bed and stay there for a week.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
I want to be Lon Chaney. I want to be Karloff. I want to help people escape the mundane world. I want to make their skins crawl. And I want them to love it every bit as much as I do.
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
After 'Bhaji On The Beach', I didn't make a movie for six years. I couldn't get a movie off the ground for love nor money. It was a very tough time and I almost gave up. If I had been an Oxbridge bloke after 'Bhaji', my career would have been very different
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
For example, in your house, you have the heater on the ground itself. Here, it's the gravity. No matter where you are, that's where the gravity is coming from. It's almost like a carpet that you put down. If you're on the other side, it doesn't matter to us because we're still walking on the ground. Actually, at the beginning of the film [Valerian], we see when they install the gravity system.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
Those are the films I want to make. I don't want to make a film about, "Oh, those poor prostitutes!" Or "Oh, isn't it terrible in Chicago!" I want to make a film where people think, "Brenda's like me!"
You have to want to make a film for other reasons - to say something, to tell a story, to show somebody's fate - but you can't want to make a film simply for the sake of it.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
What we love that 'The Way Back' is not subsidized, it's alive and kicking. And if I can't make the kind of film that I want to make, then the hell with it, I've had a great run. But I'm more concerned with the younger people coming up that want to make this kind of film.
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