A Quote by Woody Allen
Fantasy is seductive and much more wonderful than reality, but you can't take it to the bank. It's always an escape. And if used as an escape, as in attending a movie or a show for a circumscribed period of time, it's fine. When it starts to become undifferentiated from reality, it leads to big trouble.
Related Quotes
Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.
We don’t create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.
Movies, more than anything I can think of, are a great escape from reality. My reality, in particular, needs escaping.
Imagination is always greater than reality, and the reality of a sex paradise is that they offer a supposed escape from the nightmare of repressive society.
a fellow is more afraid of the trouble he might have than he ever is of the trouble he's already got. He'll cling to trouble he's used to before he'll risk a change. Yes. A man will talk about how he'd like to escape from living folks. But it's the dead folks that do him the damage. It's the dead ones that lay quiet in one place and dont try to hold him, that he cant escape from.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Fantasy is hardly an escape from reality. It's a way of understanding it.
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.
Drugs are marvelous if you want to escape, but reality is so rich, why escape?
The 60's has its own particular style and I think setting film in a period enables you to create your own reality that the audience can escape into and have fun, and in a way make it more real than it actually is.
Reality depresses me. I need to find fantasy worlds and escape in them.
It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.
You're always in a box, and you're an escape artist if you do what I do - or if you're a creative person, period. You build your box, and then you escape from it. You build another one, and you escape from it. That's ongoing.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
Contrary to a tenacious myth, France is not owned by California pension funds or the Bank of China, any more than the United States belongs to Japanese and German investors. The fear of getting into such a predicament is so strong today that fantasy often outstrips reality. The reality is that inequality with respect to capital is a far greater domestic issue than it is an international one.
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