A Quote by Woody Allen
When a man is driving in a car and looks out the window and notices a woman with a great body, as he strains to check her face out, how does she know to keep turning so the back of her head is always toward him?
Related Quotes
I have one thing you don't,' he murmured against her neck, turning his head and nipping her earlobe. 'What?' His tongue teased her ear. 'Brute strength,' he whispered and removed the keys from her hand even as he captured her mouth with his. He didn't let her up until she kissed him back thoroughly, until her arms slid around his neck and she melted into him. He drove the truck with great satisfaction, smirking at her. 'Manly man, here, woman.
And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
On the other hand, she never looked as -big- as she did at that moment. "What?" Rose demanded, glaring up at him. The warning signal flashed bright red in Kane's head. Telling a woman she was as big as a beach ball wouldn't win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in big trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out of the window when he was near her and she said the words like contractions.
The engine roared to life. He ran toward her. She shot our of her parking space. He rushed to the side of her car. "Stop it, Kristy! You're overreacting! Let's talk about this." That was when she did the unthinkable. She rolled down the window, thrust out her hand, and gave Reverend Ethan Bonner the bird.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
The woman who looks to God in the face of unkindness becomes more beautiful through suffering. Her face does not bear the lines of bitterness and a disturbed countenance. She displays a rare and remarkable beauty because she has learned to wait upon God. Her happiness is out of reach of those who have wronged her.
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through man's passions, nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face. "I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth. She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
The cycle hit the beach and spun out. Emma went into a rolling crouch as she flew free of it, keeping her elbows in, pushing the air hard out of her lungs. She turned her head as she hit the sand, slapping her palms down to roll herself forward, absorbing the impact of the fall through her arms and shoulders, her knees folding up into her chest. The stars wheeled crazily overhead as she spun, sucking in her breath as her body slowed its rolling. She came to a stop on her back, her hair and clothes full of sand and her ears full of the sound of the wildly crashing ocean.
Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.
When a man touches a woman's body, he is not just touching her body. It goes MUCH DEEPER than that for a woman. He is touching parts of her soul-parts as diverse as how she feels about being a grandmother some day, to what is her favorite ice cream, to how much she loves her pet, and to her opinion of how the current President is governing. The man wants a sexual encounter and love is far from his mind; she desires permanence, commitment, safety, and security.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
One of the heavy marble busts that lined the higher shelves had slid free and was falling toward her; she ducked out of its way, and it hit the floor inches from where she'd been standing, leaving a sizable dent in the floor. A second later Jace's arms were around her and he was lifting her off her feet. She was too surprized to struggle as he carried her over to the broken window and dumped her unceremoniously out of it.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
Gaspar Noe Quotes
Argentinian
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director