When I was young, I wanted to be a dramatic writer, a writer of tragedy. Nothing would've pleased me more than if I could have written like Eugene O'Neil or Tennessee Williams.
Eugene O'Neil created an American theater, and Tennessee Williams taught it how to sing.
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that you are a sinking man. A writer's love for another writer is never quite free of malice. He may enjoy discussing your failures even more than you do. He probably sees you as tragic, like his characters - or unworthy of tragedy, which is worse.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
[Doctor Cukrowicz] was basically a role where you have two diva actresses - Maggie Smith and Natasha Richardson - and my role was to say, "And then what happened? Tell me more." But I wanted to do it was because a) it was Tennessee Williams, a great writer, and b) it was Richard Eyre, an amazing director. And to work with those two amazing women!
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
I didn't really think I would be a musician. I always thought I'd be a writer. I wanted to be a writer in college, but I thought I could be a better musician. I loved the process of writing music and lyrics more than I loved the process of sitting at my computer and writing. Because of that, I thought I would be a better musician than a writer.
If I had my choice in life I would have had the gifts of Tennessee Williams or Eugene O'Neill. Unfortunately my gifts lie in comedy and so comedy comes fairly easy to me and I occasionally have an idea for a very serious piece and I do it, but the ideas don't come that readily to me.
It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama.
I can't really sit around and talk with people who believe that the Bible is the way it happened, because that's man-made. I'm a writer, too; that's how I look at the Bible. Like, 'I could've written a better version than that,' you know? At least a more interesting one, and then maybe more people would go to church. I could definitely do a revamp.
I never wanted to be a celebrity writer. I wanted to be a good writer. I'm still trying to be a good writer. That's what gets me out of bed in the morning.
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face.
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face
From the moment I wrote 'Leaf Storm' I realized I wanted to be a writer and that nobody could stop me and that the only thing left for me to do was to try to be the best writer in the world.
Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.