A Quote by Woody Allen
The artist can't give you an answer that's satisfying to the dreadful reality of your existence. So the best you can do is maybe entertain people and refresh them for an hour-and-a-half.
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THERE are no wise few; for in all men rages the folly of the Fall. Take your strongest, happiest, handsomest, best born, best bred, best instructed men on earth and give them special power for half an hour and because they are men they will begin to [perform] badly.
I'm an entertainer and I entertain people and they entertain me back by asking questions. And some of them I answer.
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
Your performance depends on your people. Select the best, train them and back them. When errors occur, give sharper guidance. If errors persist or if the fit feels wrong, help them move on. The country cannot afford amateur hour in the White House.
What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
Every audience has a personality. Some of them don't have the best personalities, but you're on a date with them for an hour and a half, so you just make the best of it.
There's an internal coherence and logic to what they get from [Rush] Limbaugh, Glenn Beck, and the rest of these guys. And they sound very convincing, they're very self-confident, and they have an answer to everything - a crazy answer, but it's an answer. And it's our fault if that goes on. So one thing to be done is don't ridicule these people, join them, and talk about their real grievances and give them a sensible answer, like, "Take over your factories."
When you do what I do, there are a lot of institutions that give you awards. I've gotten maybe 20 medals. They're glorious, and there's a spirit behind them. But sometimes they give you this dreadful modern glass thing. I wish everyone could afford a loving cup.
To give an answer in advance of a question was futile, and to propound a question in order to supply the answer was also futile. There were difficulties that could best be met by unawareness of their existence.
You propound a complicated arithmetical problem: say cubing a number containing four digits. Give me a slate and half an hour's time, and I can produce a wrong answer.
Nothing is static. Even the Mona Lisa is falling apart. Since fight club, I can wiggle half the teeth in my jaw. Maybe self-improvement isn't the answer. Maybe self-destruction is the answer.
It is true that these mysteries are dreadful, and people have always drawn away from them. But where can we find anything sweet and glorious that would never wear this mask, the mask of the dreadful? Whoever does not, sometimes or other, give his full consent, his full and joyous consent to the dreadfulness of life, can never take possession of the unutterable abundance and power of our existence; can only walk on its edge, and one day, when the judgment is given, will have been neither alive nor dead.
Most people have this perception that you have to be out there running for an hour and a half every day. But you don't have to give up your career and family to run a marathon.
At the end of the day, what people want from me is to get up there on that stage and make them feel powerful and give them a release for an hour and a half or two hours every once in a while. And if I'm still able to do that, hopefully I'm still making people happy.
The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist.
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