A Quote by Woody Allen
One of the wonderful things about making a film of any genre is that you have dialogue. You can take up a position. If you want to say something about your position, you can just say it. You don't have to spend massive amounts of screen time.
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You've got pressure making any film, frankly. Whenever you're doing something in the public eye you have to silence it really, you can't read the blogs and take them at face value, you just have to say, 'I'm lucky enough to be in this position, to do this job'.
I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
The important thing to remember is it's not about balance; it's about integration... to really focus on making sure you're integrating all four aspects of your work, your family, your community and yourself. And it's not about trying to spend equal amounts of time on everything you do each day on each of these things, but making sure you're paying attention to all the things that make it up as a whole human being.
People say that being a vegan creates a social problem in that others may react negatively. But isnt that the case if you take a principled position on any issue, whether its racism, sexism, heterosexism, violence as a general matter—or speciesism? The key is to educate others about *why* you take the position.
You have to learn to say no not just to things you don't want to do, you have to say no to things that you want to do, things that are good to do. You have to realize that every time you say yes to one thing you've got to take something else off the plate. Critically, I think you have to realize that it's easier to say no than to say maybe.
People say to me, Oh, it's so wonderful that you're writing about real things, and that it's a political thing to do, and I say, look-to be in my position and not say anything is a hell of a political thing. You need to think politically, otherwise you'll be one of these people who says, Oh, this person's saying this and that person's saying that, and I'm confused. And I say, yeah, because you want to be confused.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
Every time you make a film, you want to do it in a genre that is different from your previous film, so that there is something fresh about it.
One of the things I say to women a lot, specifically when Democrat women say to me, shouldn't there be a quota for this? Or shouldn't women have a certain amount of seats at this table? I don't ever want to be given a position because I was a woman. I want to be given a position because I was the most qualified person to hold that job.
When young people say I want to be a novelist, I'd say, think very carefully about it. There will be very few rewards, you probably won't make any money, you probably won't become famous, and you will spend your whole life locked up in a room by yourself worrying about how to survive.
Life is always going to be a series of ouch-making moments, and the question was, was I going to go all fetal position, or was I going to woman up? I went into fetal position on the bed to think about this. Fetal position turned out to be very comfortable.
Now I also want to say, without a doubt, there are some wonderful, wonderful, absolutely wonderful things about being a man. But at the same time, there's some stuff that's just straight up twisted, and we really need to begin to challenge, look at it and really get in the process of deconstructing, redefining, what we come to know as manhood.
One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
To be in a position, at my age, where I am financially independent, I can help develop things, I can promote stuff that I believe in, I can say no a lot and spend time writing - that is a gift.
I never went into aesthetics. Aesthetics is what philosophers have to say about art, and a lot of them take an analytics position and raise the question, "What is an art object?" As soon as you fall into that trap, an artist is going to come along and say, "That isn't art - it's something else." That's a hopeless gig.
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