A Quote by Woody Allen
The French make two mistakes about me. They think I'm an intellectual because I wear these glasses and they think I'm an artist because my films lose money.
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People think I'm an artist because my films lose money.
I actually think that my films are intellectual. I think almost everything I do is intellectual, but I would never say that, because that's a compliment. That's up to others to say about me. The same way, I would never say I do art. I think art is up to history. It's up to other people to utter that word. So I try to be humble.
When you think of everything in terms of just money, then almost nothing is enough. I mean, how much money is enough? Because it's hard to translate money into goods. And I think people, once, I think there's a lot things can believe, and once they start thinking about wealth in terms of money, they lose the idea of enough-ness.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.
I think every filmmaker in Europe would be lying if they didn't say one day they just wanted to make a movie here in Hollywood or at least try it. It's very different from European filmmaking, because here it's like a real industry. It's very much about money and making money, which I think is fine, because it's very expensive to make movies.
I think that's really really important, you can't get in the industry, because you want to make money because number one, I don't think money should be motivation for anything because I don't believe that it has any value.
I think that when you’re in the public eye, you automatically become a role model, because people are reading about you and looking at pictures of stuff you’ve done. But, you know, no one’s perfect, everyone makes mistakes. I have made mistakes and I will make mistakes. I’m only human.
I think now it's the money who tells the artist what to do - it's not the artist who tells the money what to do. And things move very fast, which is hard, because sometimes you need more time to be creative. I guess no one has a loud mouth like I did. They don't dare to scream loudly what they think. But you can't take fashion too seriously. The whole thing is about giving the woman who wears your clothes some power, some fun, some service. It's great to make it as art. But first, it's a service for someone.
I think that stereoscopic 3D will have to continue to develop. It's still quite archaic because of the glasses you have to wear.
The mirror reflects perfectly; it makes no mistakes because it doesn't think. To think is to make mistakes.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.
I always think about what it means to wear eyeglasses. When you get used to glasses you don't know how far you could really see. I think about all the people before eyeglasses were invented. It must have been weird because everyone was seeing in different ways according to how bad their eyes were. Now, eyeglasses standardize everyone's vision to 20-20. That's an example of everyone becoming more alike. Everyone could be seeing at different levels if it weren't for glasses.
Some films are pure entertainment of course, but what interests me and what I want to do are projects that really make you think, that move you, that will bring you something that will stay with you for a while. I think films are essential to the intellectual awakening of people.
I think functioning as a business manager can be a hindrance to having a real dialogue with the artist. I do think that artists need good lawyers and accountants, because they're dealing with serious money. But an artist who stands behind a manager? That's a little different. I think that can be a bad buffer.
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