A Quote by Woody Allen
Don't you see the rest of the country looks upon New York like we're left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes and I live here.
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Dig: I'm Jewish. Count Basie's Jewish. Ray Charles is Jewish. Eddie Cantor's goyish. B'nai B'rith is goyish; Hadassah, Jewish.
If you live in New York or any other big city, you are Jewish. It doesn't matter even if you're Catholic; if you live in New York, you're Jewish. If you live in Butte, Montana, you're going to be goyish even if you're Jewish.
I don't think anybody who looks carefully at us thinks that we are a left-wing or a right-wing organization.
I want the people of New York to be an example to the rest of the country, and the rest of the world, that terrorism can't stop us.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
The far right is saying to us: Forget about the two-state solution, it is going to be a Jewish state from the coast to Jordan. The left wing says you have to forget about Jewish self-determination, you will have to live as a minority in an Arab state - just like the whites in South Africa. The key word that both have in mind is that the situation in the West Bank is "irrevocable." It is one of the words I dislike the most.
In the United States, you can put on a cowboy hat and join the country-western neighborhood. If you're down below 14th Street in New York City, that's bohemian; that's left-wing.
It isn't like the rest of the country - it is like a nation itself - more tolerant than the rest in a curious way. Littleness gets swallowed up here. All the viciousness that makes other cities vicious is sucked up and absorbed in New York.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Even if you are Catholic, if you live in New York you're Jewish. If you live in Butte, Montana, you are going to be goyish even if you are Jewish.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
2 Jewish women in New York. One says, "Do you see what's going on in Poland?" The other says, "I live in the back, I don't see anything."
You can take a picture of New York and one person looking at it will think it looks really depressing, frightening; and someone else will look at it and think of all the fun things you can do in New York. I think songs are kinda like that.
You can have a lot of New York and still see what's going on in the rest of the world, I think - like in China.
I've always thought the American eagle needed a left wing and a right wing. The right wing would see to it that economic interests had their legitimate concerns addressed. The left wing would see to it that ordinary people were included in the bargain. Both would keep the great bird on course. But with two right wings or two left wings, it's no longer an eagle and it's going to crash.
I guess I see 'Goo' half as a really New York record because I think there are a lot of really particular New York references on it, but I also see it, for us, as the first of our records that really opened up to the larger world around us.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
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