A Quote by Woody Allen

Because it's much more pleasant to be obsessed over how the hero gets out of his predicament than it is over how I get out of mine. — © Woody Allen
Because it's much more pleasant to be obsessed over how the hero gets out of his predicament than it is over how I get out of mine.
He strips his shirt over his head and I catch my breath, watching those long hard muscles ripple. I know how his shoulders look, bunched, when he's on top of me, how his face gets tight with lust, as he eases inside me. "Who am I?" "Jericho" "Who are you?" He kicks off his boots, steps out of his pants. He's commando tonight. My breath whooshes out of me in a run-on word: "Whogivesafuck?
I admire Hrithik Roshan for his work a lot. He has an edge over others because he is very hard on himself, he's never complacent, and he's still not happy with that. How much more perfect can you get than that?
One certainly has a soul; but how it came to allow itself to be enclosed in a body is more than I can imagine. I only know if once mine gets out, I'll have a bit of a tussle before I let it get in again to that of any other.
When our wagon gets stuck in the mud, God is much more likely to assist the man who gets out to push than the man who merely raises his voice in prayer—no matter how eloquent the oration.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.
I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.
I think my philosophy has evolved over the years. I started teaching almost 15 years ago and I've learned that how one student learns is obviously much different than how another student learns and so I've had to figure out how to get through to people honestly without hurting their feelings - which is no easy task just in the scope of being a human being, much less in the classroom, but which is something that is more important to me now than it was when I was 30 - and to show them a path to improving.
I sell architecture better and more directly and more vividly than the architect does... The average architect is stupid. He doesn't know how to sell. He's not a merchandiser. He doesn't know how to express his own image. He doesn't know how to create a design of his image... And I do it. I've done it all my career over half a century, and it gets better.
What's more American than young people speaking their mind over things they had to create over pots and pans and electronically because music was taken out of schools? What's more American than making something out of nothing? What's more gospel than rap music?
I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
I feel like the older I get, the more I start to think about life in general. All the clichés that people tell you, the ones that you hear over and over and over again, there's a reason they're cliché, there's a reason you hear them over and over again, because it's all true. As much as you don't wanna hear it, it's true. You'll find out later on, like "Man, they're all right."
People forget already how much utility they get out of the Internet - how much utility they get out of e-mail, how much utility they get out of even simple things like brochureware online.
When women are paid for their work and have control over how the money gets spent, they invest much more of their income than men do in their families' education and health.
There is no real scientific debate over what is happening; of course there is debate over exactly how it is going to play out in the decades ahead, because this is a large experiment that we haven't done before, and no one knows precisely how one can ever precisely predict what effects this heat will have. But all the science in the last few years, or almost all of it, really serves to show that the effects are larger and more rapid than we had thought even a decade ago.
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