A Quote by Woody Allen

When you work from city to city or country to country, you work the same way; the working method is the same. — © Woody Allen
When you work from city to city or country to country, you work the same way; the working method is the same.
Oh, I like New York City. It's like my country. The people have good energy, good atmosphere. It's just work, work, work. Everyone is working. It's a lot like my country.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.
My culture comes from everywhere. I'm sick of this notion of nationality, that if you're brought up in the same city or same country you're the same. Even three kids brought up in the same family with the same genes, they are not the same. Just consider a human a human.
On the country has gathered the idea of a natural way of life: of peace, innocence, and simple virtue. On the city has gathered the idea of an achieved centre of learning, communication, light. Powerful hostile associations have also developed: on the city as a place of noise, worldliness and ambition; on the country as a place of backwardness, ignorance, limitation. A contrast between country and city, as fundamental ways of life, reaches back into classical times.
In other words: we can fight pollution and poverty at the same time, with the same method. We can beat global warming and the global recession at the same time, with the same method. We can do this by putting people to work re-powering America with clean energy.
In Sweeden every city looks the same. I've been to sixteen cities, and every single city is the same! The same cobblestone, the same McDonalds, the same everything. Everything was designed by the same guy. They must have saved a lot of money when they designed all the cities.
... Washington was not only an important capital. It was a city of fear. Below that glittering and delightful surface there is another story, that of underpaid Government clerks, men and women holding desperately to work that some political pull may at any moment take from them. A city of men in office and clutching that office, and a city of struggle which the country never suspects.
I am not a country girl at all. I tried the whole country dream and it didn't work for me. I need the madness and pandemonium of a city around me.
The same things go on everywhere, whether you're from the city, the country or wherever.
Each piece that I put in the street is unique. I never make the same piece twice. For Hong Kong, like for every city where I have worked, I try to adapt my work to the culture and the 'colors' of the city.
When we go city by city, country by country, the majority of our hosts, our owners, are simply renting out their spare bedroom.
It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.
The audiences are really different in general. Even in the same country or in the same city, from one venue to another, the audiences can be totally different.
The city of cats and the city of men exist one inside the other, but they are not the same city.
Historically and culturally, New York City and our entire nation simply would not be the same without the infusion of Asian traditions. Whether it is food, art, language or any other facet of cultural life, Asian Americans have made our city and our country stronger and richer.
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