A Quote by Yoko Taro
In 'Nier Automata', the protagonists are androids, not humans, and that's very common in a Science Fiction story.
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So 'Nier Automata' feels like a story about androids but no, the main theme of 'Automata' is human.
In any case, 'Nier: Automata' is not a perfect game. But I am proud of everything in it.
I had a list of things that science fiction, particularly American science fiction, to me seemed to do with tedious regularity. One was to not have strong female protagonists. One was to envision the future, whatever it was, as America.
I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.
For 'Nier: Automata', I wasn't told to target anyone. I just made what I wanted to, and I tried to stay hidden from Square Enix as much as possible.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
Literary science fiction is a very, very narrow band of the publishing business. I love science fiction in more of a pop-culture sense. And by the way, the line between science fiction and reality has blurred a lot in my life doing deep ocean expeditions and working on actual space projects and so on. So I tend to be more fascinated by the reality of the science-fiction world in which we live.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
The real origin of science fiction lay in the seventeeth-century novels of exploration in fabulous lands. Therefore Jules Verne's story of travel to the moon is not science fiction because they go by rocket but because of where they go. It would be as much science fiction if they went by rubber band.
I could speculate, but it would be just speculation and the kind of thing that you would get in with a science fiction story. And if I was doing a science fiction story then I would come up with what can go wrong with this system.
The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.
A good scenario doesn't make a good science fiction story - but it's a setting within which a good science fiction story might be told.
I had decided after 'Hollow Man' to stay away from science fiction. I felt I had done so much science fiction. Four of the six movies I made in Hollywood are science-fiction oriented, and even 'Basic Instinct' is kind of science fiction.
I'm not really a science-fiction fan, I quite like the idea of getting away from the science-fiction side of it, for two episodes. It was lovely, it was a super story and great fun.
Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.
The literature now is so opaque to the average person that you couldn't take a science-fiction short story that's published now and turn it into a movie. There'd be way too much ground work you'd have to lay. It's OK to have detail and density, but if you rely on being a lifelong science-fiction fan to understand what the story is about, then it's not going to translate to a broader audience.
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