A Quote by Yony Leyser

I began filmmaking in high school, at the Chicago Academy for the Arts. My first documentary was about a dysfunctional obese middle-aged carpet cleaner named Bill, who lived with his Mom, and his love affair with Anna, a drug-addicted prostitute. I made that when I was 16.
In Greenville, we were blessed to have lots of youth arts programs. I changed middle schools to go to an arts middle school. Then, when high school came, I went to normal high school for a little while before auditioning for the Governor's School for Arts and Humanities.
I'm very much half-American - my mom is American. I grew up in Australia until I was 16, then I finished high school over here because I got into this performing arts high school.
I’m very much half-American - my mom is American. I grew up in Australia until I was 16 then I finished high school over here because I got into this performing arts high school.
High school was interesting, because I went from a public school middle school to an academy where the first year we were doing Latin, chemistry, biology. I mean, I was woefully unprepared for the type of study.
My mom wouldn't let me buy clothes she didn't like, so I dressed like a middle-aged woman in high school.
Love affair. Doesn't that sound so middle-aged? And also ill-fated. Like ill-fated is an understood prefix to love affair. Well, ill-fated is fine, as long as it's a meaty and fraught ill-fated love affair, not a pale and insipid one.
I began my filmmaking career by shooting a feature length documentary in China in 2004, the year I graduated from film school.
When I finished high school, I was 16, and in Argentina you have to choose a career right after high school. There is no such thing as a liberal arts education.
"Plaza de la Soledad" is a documentary about Carmen, Lety, Raquel and Esther, four strong women - middle-aged and older - who want to break a vicious circle that began with abuse and abandonment suffered from an early age. They simply want to have a better life. The film follows their quest to find true love and their capacity to transform themselves.
And the art was in every corner and wall... a Mural of the Century of Progress in Colombia South America is rich in detail, painted by a student of the Fine Arts Academy of Chicago named Santiago Martinez; a name to remember.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
As I searched the atlas for somewhere to run to, Hugh made a case for his old stomping grounds. His first suggestion was Beirut, where he went to nursery school. His family left there in the midsixties and moved to the Congo. After that, it was Ethiopia, and then Somalia, all fine places in his opinion. 'Let's save Africa and the Middle East for when I decide to quit living,' I said.
But the fascinating and unbelievable-but-true thing about Dr. Jefferson Jeffersonis that he was not a doctor of any kind. He was just an orange juice salesman named Jefferson Jefferson. When he became rich and powerful, he went to court, made "Jefferson" his middle name, and then changed his first name to "Dr." Capital D. Lowercase r. Period.
I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.
At his heart, Shakespeare was a YA author. So many of his plays are set with high school-aged characters. He understood the passion, the confusion and drama that marks that life stage.
My brother acquired his first gun when he was very young, from a recently-fled drug dealer's residence. Now, he lived in a rural orange-grove area, and he shot at coyotes who killed his animals and at drug runners who used the groves for transport. Sometimes he joked that he only shot what moved.
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