A Quote by Yorgos Lanthimos
I think it's been obvious from the beginning that my projects are not going to be something that people already have in mind. You can't be thinking about such things when you create something.
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Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
There's something about us using the word fascism and thinking about, "What is it? What does it mean, and what are the tenets of it?" I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it. I think there's something that's fascist, and something that I think we could probably learn from, in terms of the energy in the world right now.
So when one thought goes into your mind, it’s not just one thought, it has to bounce off both hemispheres of the brain. When you’re thinking about something happy, you’re thinking about something sad. When you think about an apple, you also think about the opposite of an apple.
I enjoy thinking about ways to create something that other people have not even thought about, something no one has managed to achieve.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I don't think DIY is something that necessarily comes to mind when people hear Third Eye Blind, but that is completely how we've been from the beginning.
I think if a man can create something like an atom bomb, he can surely create something with his own mind.
I think if someone is writing continuously for 10 years and has not changed their mind about something - there's something wrong with them. They're not really thinking.
I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.
When I talk to people who have teenagers now, their rooms are filled with screens. There are their phones and their DVD players and TVs and all these things to produce distractions for them, and I think it would be hard to find the time to create something. I think that's really changing something about adolescence.
When I first started performing, some people were there just out of curiosity. I think that happens less often then you'd think, but when it is happening it's very obvious and I can tell what's going on. I had some of that in the beginning, but I think that ultimately I got a pretty strong fan base based on just my personality alone, and my honesty, my music. So it wasn't based on anything else, and I did notice if someone else came looking for something else, they'd probably leave, or complain it was too loud or something.
When you are thinking something, you have the feeling that the thoughts do nothing except inform you the way things are and then you choose to do something and you do it. That's what people generally assume. But actually, the way you think determines the way you're going to do things. Then you don't notice a result comes back, or you don't see it as a result of what you've done, or even less do you see it as a result of how you were thinking. Is that clear?
The naturalists have been engaged in thinking about Nature. They have not attended to the fact that they were thinking. The moment one attends to this it is obvious that one's own thinking cannot be merely a natural event, and that therefore something other than nature exists. The Supernatural is not remote or abstruse; it is a matter of daily and hourly experience, as intimate as breathing.
They are damn good projects - excellent projects. That goes for all the projects up there. You know some people make fun of people who speak a foreign language, and dumb people criticize something they do not understand, and that is what is going on up there - God damn it!
My idea is to paint paintings so that when you walk into a room, I'm pulling you in, or that makes you suddenly stop and wonder: 'What is this? There is something groovy, something else going on here.' Also, I want to give you what is obvious and what is not obvious to the eye.
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