A Quote by Yorgos Lanthimos
I think you can be much truer to real emotions and reality by creating something that on the surface seems artificial but, by then putting everything together in the end, is much more impactful than trying to use realism in every individual element of the film.
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I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
The theater's a live thing, and film is, to some extent, a discipline where you're putting everything together and trying to execute something exactly. You do it away from people and then you present it at the end.
I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.
You know so many documentaries now are very carefully scripted before you start, and then people are sort of put in chairs which are beautifully lit, and they tell their stories and you do that with another 10 people and you then construct a story from what they say. You do a sort of paper thing, and then you put some images in-between, and that's your film. And that's so not what I think is a good documentary. It can be so much more than that, it should be much more of an adventure and much more uncertain... like real things are.
Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.
I have always considered imaginative truth to be more profound, more loaded with significance, than every day reality... Everything we dream about, and by that I mean everything we desire, is true (the myth of Icarus came before aviation, and if Ader or Bleriot started flying it is because all men have dreamed of flight). There is nothing truer than myth... Reality does not have to be: it is simply what is.
Nowadays, everything is so gratuitous. The violence is suggested, and it's much more impactful than showing everything.
In this type of cinema, whether working with actors or non-actors, as much as you do direct them, if you allow yourself to be directed by them, then the end result will be much more pleasing. The real and individual strengths of the actors is allowed to be expressed and is something that does affect the audience very deeply.
I get so much energy and I learn so much through collaborating with other people. Ultimately, I think the best music will always be created through collaborations - pooling together skills to create something bigger than any individual. I like to use my own SOPHIE material to present ideas in their most extreme, un-compromised form. I really use those opportunities to express exactly where I'm at in terms of production and writing ideas, as a document of my thoughts and feelings, as well.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
With young people everything is much more on the surface - all the emotions; when you get older you know how to hide things.
I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life.
You spend so much time, so much effort, trying to hold yourself together. And then everything falls apart anyway.
I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.
I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.
You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
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