A Quote by Yorgos Lanthimos

Whenever a film doesn't follow to the letter the preset strict conventional rules of today's commercial cinema, it's considered weird. — © Yorgos Lanthimos
Whenever a film doesn't follow to the letter the preset strict conventional rules of today's commercial cinema, it's considered weird.
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
I didn't take a lot of crap from people, and I didn't follow the conventional rules of behavior that we're supposed to follow - because if I had, I never would have accomplished what I did.
Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.
When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.
For remember that in general we don't use language according to strict rules-- it hasn't been taught to us by means of strict rules, either. We, in our discussions on the other hand, constantly compare language with a calculus preceding to exact rules.
I grew up on the commercial film format. I have grown up all my life watching films and they have all been mainstream commercial cinema.
I am the last person who has any judgement about any kind of cinema, least of all commercial cinema because I am a product of commercial cinema.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
I love good food but I follow strict rules the days I perform.
I just finished a film a few days ago, and I came home and said I learned so much today. So if I can come home from working on a little film after doing it for 45 years and say, "I learned so much today," that shows something about the cinema. Because the cinema is very young. It's only 100 years old.
There is no letter of the law to follow in Zen. There is a lot of etiquette, but there are no rules.
We have very strict rules about TV and film in my house.
I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been tremendously influenced by noirish cinema whether that's Von Sternberg or Scorsese in the 70s or Lynch, etc.
Mainstream cinema exists in most large industries and then there is the alternative cinema which does not follow the conventions of the mainstream movies. But when your film is small and does not have A-listers, then you have a limited budget and it becomes hard to release your film.
Indian cinema needs all ingredients like emotion, action, sentiment and humour; it's not easy. It's easy to make a Hollywood film, as it goes with a pattern. Our cinema needs a lot of commercial ingredients. That's why I don't do many films.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
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