A Quote by Yorgos Lanthimos

It's hard for me to consider something in cinema or theater as something realistic. — © Yorgos Lanthimos
It's hard for me to consider something in cinema or theater as something realistic.
If I do consider fighting, it won't be until after the Olympic games in 2020, and then from there I'll reevaluate, see if it's something that would be a realistic option for me.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
For me, when I look at a guy I can model my game after, I want to make it realistic and something I can chase and something that's reality.
I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.
In the future, I would like to do more films with contemporary themes. Perhaps comedy, which is something I have done in theater but not in cinema.
It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
I sure do love theater. I mean, that's where I started. I am actually sort of shy, but something happens when the audience comes in. It's something nice for me. It terrifies me, but I'm able to do it.
I was criticised for making 'Devdas' so ostentatious. But stark and realistic cinema isn't the only real cinema in this country.
Film is something that came later into my life. I had a Jesuit education, and I consider acting and the theater as kind of a calling - a vocation.
When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
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