A Quote by Yorgos Lanthimos
Of course I know what works for me and what kind of tone I want my films to have.
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I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
Bollywood didn't know what to do with me. And I didn't know what to do with it, because I didn't want to do its kind of films.
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
I think most of my films all have a certain tone or intensity in them. They are tense, and you kind of anticipate some kind of catastrophe, but you're not quite sure.
I had a question asked of me the other day, and this is asked of me a lot, surprisingly. 'Is there anything you want that you can't have?' And I said, 'Of course! What kind of question is this? Of course there is.' There's any number of things that I would like to have that I either can't afford or it doesn't make sense to buy. You know, I'd love to have world peace.
We know what kind of music people want to listen and we are doing the same with films. We know what kind of stories people want to see. Earlier people had tagged us that T-Series only does musicals but now that label has gone away.
Sometimes, in certain stories, I think we know at the outset essentially what the tone is going to be, or it becomes important that we're groping toward some kind of story with a certain kind of tone that we both get somehow. But I don't think how that's combined with other elements is ever in any way overtly discussed.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
Straight girls like me. They flirt with me to get whatever they want. Of course it works.
You know,” he said, “this is why I love you so much.” Her tone was heartbreakingly warm. “What do you mean?” You don’t ask me to go inside because it’s cold. You just want to make it easier for me to be where I want to stand.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
My influences are all over the place. Different films have spoken to me at different times in my life, and they've helped create my idea of the kind of films I want to make.
People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
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