A Quote by Yorgos Lanthimos
The first time I was paid was with 'The Lobster,' because with the Greek films, we just had to pay ourselves - work for free while making commercials in order to survive.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums. We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real. We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
Commercials certainly pay more than films. I was pleasantly surprised at the profitability of commercials when I did my first ad for a popular soap brand years ago. I was paid a huge amount of money for a mere 30 seconds of screen presence. After that, ads have been a regular feature in my career.
Don Juan assured me that in order to accomplish the feat of making myself miserable I had to work in the most intense fashion, and that it was absurd. I had now realized I could work just the same in making myself complete and strong. "The trick is in what one emphasizes," he said. "We either make ourselves miserable, or we make ourselves strong. The amount of work is the same."
My ideal meal varies, depending on the time of year. Lobster on a deck overlooking a beach at sunset is one - but all my kids have to be there, because they are all lobster-lovers. Making a bolognese sauce over pappardelle for my husband on a winter evening, because he loves my bolognese sauce and it's his comfort food.
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
When I first moved to New York I had been trying to work on anything and everything I could. From extra work and commercials to short and student films so I could learn in front of a camera.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
Even making clothes for Hollywood films, you do not get paid silly money. It is hard work and takes time.
When you are as big and strong as Strowman, WWE notices you and basically pays you to go to school. He was paid to train, has a guaranteed contract, and gets paid whether he wrestles or not. He couldn't survive in the actual wrestling business. He never had to pay his dues.
I loved 'Rock Lobster.' I probably heard 'Rock Lobster' first at a party or dance. Then we would do the Rock Lobster - get down on the floor and do the whole dance. I thought that was really cool and exciting, that there was actually a band that had their own dance at that point.
It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.
I stopped making videos and commercials for a few months before I started films just to reset my clock because so much narrative filmmaking is a sense of tempo and rhythm.
It?s not that Monsanto is making money out of the blue. It?s making money by coercing and literally forcing people to pay for what was free. Take water, for instance. Water has always been free. We?ve never paid for drinking water. The World Bank says the reason water has been misused is because it was never commercially priced. But the reason it?s been misused is because it was wasted by the big users?industry, which polluted it.
Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.
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