A Quote by Yuval Noah Harari

My main ambition as a historian is to figure out what's really happening in the world, instead of the fictions that humans have been creating for thousands of years in order to explain or control what's happening in the world.
Because TV is mostly close up, it has to be fast. And because it has to be fast, you don't have time to explain completely, by a sequence shot, what's happening between people. So instead of experiencing what's happening, say, when a couple is dancing, dialogue is used to explain.
Everything that's rock n roll is ever meant to be is happening now. I need to get over the shock that that thing is actually happening and that thousands of millions of people around the world are watching.
As artists, it's really important to take time to see what other art is happening and to know what's happening in the world.
I really admire visual storytelling that shows you what's happening, instead of tells you what's happening. I think it really forces the filmmaking to be very clear.
In the native literatures of North America there aren't any novels. Instead, the major genre is myth. And myths are stories that are fundamentally about the world, not about human individuals. A myth needn't include any humans at all. If it does include them, they're usually minor characters - imaginary humans sent out like scouts to report back on what's happening in the mythworld, but not central participants in the action.
When you allow an animator to focus on a portion of the film and really understand the arc of the scene, what's happening with the characters, they can make choices all along the way that reinforce the main points of the scene. They really get to know what's happening.
Humans withdraw to their homes, and surrender the night to the creatures that own it: the crickets, the owls, the snakes. A world that hasn't changed for hundreds of thousands of years wakes up, and carries on as if the daylight and the humans and the changes to the landscape have all been an illusion.
If everything that is happening in the world is traceable to our inability to understand what is happening in the world. If there is such a thing as original sin, it's the human capacity to get everything wrong, right from the beginning and all the way up to now, and that's what the old storytellers have been telling us, including the Creek Indians who told this story along with every other tribe on earth.
You know, at some point there has to be parity. There has to be parity between what is happening in the real world, and what is happening in the public sector world.
This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
I really think that creating clothes and fashion has to be a statement about how we live and where we live and what's happening in the world.
Growing up, I realized as an actor I had to figure out how to use my platform in order to give back as well and use that spotlight to shine, or at least to balance that light and to try to shine light onto the other issues that were happening in the world.
At the same time the folk boom was happening, the civil rights movement was happening, the anti-war movement was happening, the ban the bomb movement was happening, the environmental movement was happening. There was suddenly a generation ready to change the course of history.
I think what's happening in Hollywood is a direct reflection of what's happening in the world right now.
There's the world of the newspapers. They believe that what is happening is happening, which is so naïve. Because they're the first to turn on that.
It is the role of the poet to look at what is happening in the world and to know that quite other things are happening.
This site uses cookies to ensure you get the best experience. More info...
Got it!