A Quote by Zack Snyder

I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting. — © Zack Snyder
I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
I'd been working on more traditional movie sets and TV shows at Universal. All of a sudden, here we're on location in Animal House, and it's down and dirty and quick. It was the way the new commercial world was shooting; the way the indie world was shooting. These were lighter, faster cameras. It was a generational change.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
UP has such beautiful locations and such ease of shooting.
The most beautiful landscapes in the world, if they evoke no memory, if they bear no trace of a remarkable event, are uninteresting compared to historic landscapes.
There are such beautiful locations outside India, and the experience of shooting in Istanbul was awesome.
I remember I prayed to God. I was like, "Just let me be on TV." Let my friends see me on TV in a good thing. I like, if I'm funny a little bit on a commercial and then I don't need to act ever again. "Just let them see me." And then it worked. I got the commercial. I was on TV. My friends all saw me. I was a kind of a star at school for like three days. And then it faded away and I was hungry and I had to like make another deal with God. I remember it still.
Russian directors, we are shooting the same streets. The same things. Tom Jacobson has a fresh eye and found very interesting and very cool locations and angles and characters.
Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.
I respect the rules of TV, the rules of keeping things commercial and interesting and pop-y and fun.
I really like shooting in real locations.
I'll never forget, Christine Woods came up to me on set and she looked at me so seriously and held my hand, and she's like, "Kether, look at me. In real life, we are beautiful, beautiful women. No one thinks we're fat. In TV, we are TV fat and we just have to get used to it. Don't ever take it personally. We're TV fat. End of story".
I do mostly Southern landscapes. I do beautiful old barns that are falling down, and beautiful trees reflecting in the water. My lovely wife Dorothy and I travel quite a bit, so I take pictures of different things that inspire me to come home, when I come home here in North Carolina, into my art studio and paint these things.
You can be a lot more subtle on TV, which is funny because I feel like TV is known for being the opposite of that. The thing we experience in life is that things are not overly dramatic, and things often happen in really small ways.
I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making.
I always felt that we don't have dearth of beautiful locations in our country, but we still don't have proper infrastructure. Because of that, most of the times, we are not able to reach those locations.
You can talk about reality TV if you want to, but guess what - it was a big commercial for Kym Whitley.
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