A Quote by Zack Snyder
I think I just have a natural operatic aesthetic. I can't help it.
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I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
If I could be said to have any kind of aesthetic, it's sort of a magpie aesthetic - I just go and pick up whatever is around. If you think about it, the children were there, so I took pictures of my children. It's not that I'm interested in children that much or photographing them - it's just that they were there.
The word 'operatic' is often misused to mean over the top, where someone is over-emoting. And that does a terrible disservice because 'operatic' to me means a commitment and a belief to the emotion of the moment that is sincere.
I really like Pam Grier's whole 'Coffy' aesthetic. It's just natural. It's not even anything that they were overdoing back then. I really like that natural beauty kind of thing. But at the same time, I really like thick, winged eyeliner.
Vocally, I sound like my mom. I don't think I can help it. That's just my natural voice.
I started classical and operatic lessons when I was 8 and become an operatic singer and went to competition. I write my own music. A lot of the songs, growing up, I was into writing dark stories and poems, and one day I started putting melodies to them.
I think with the '70s style, you can do a bigger curling iron, so you get those long swirls. If you want it natural-natural, you can also just brush your hair out and tease that. So, it varies on what kind of thing you want to do, but it's nice to have a couple more hands in there to help me or else it takes really long.
Because this is the beauty of strangers: we're all just doing our best to help each other out, motivated not by karma but by a natural instinct to help the greater whole.
I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.
In particular I want to talk about natural black hair, and how it's not just hair. I mean, I'm interested in hair in sort of a very aesthetic way, just the beauty of hair, but also in a political way: what it says, what it means.
Don't think that you can just rely on natural talent because there are going to be times when you get a little tired and that's when your skills come into play to help you make look easy.
I think death is the aesthetic part of chess, seeing your opponent's army fall. Producing a sacrifice in order to mate is the aesthetic part of it. It's a beautiful, bloodless war.
Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.
There is a sinister anachronistic interpretation of the aesthetic state as some kind of totalitarian regime that puts aesthetic over moral standards; one associates it with national-socialism. But this has nothing to do with the romantics, whose ideal of the aesthetic state has much more to do with the republican tradition.
I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.
My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.
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