A Quote by Zal Batmanglij
We lived on anarchist farms, squatted in the inner city, and hopped rail cars. We wanted to see how other young people were creating meaning from their lives.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
I lived in lower-income neighborhoods in the inner city. Across the street were dark parts of the world. I've experienced the gamut, from third world to inner city to my parents working their way out of being secretaries and janitors to professors and real-estate people. They've shown me a path of perseverance and hard work in a peaceable way.
Ever since I was young I understood the whole meaning of life isn't how much money you accumulate, how much fame you experience, it's how many lives you touch, how many faces you bring smiles to. I see myself back in Hawaii doing something in the community to improve the lives of young children. Everything I've done is to prepare myself to give back.
Early evening traffic was beginning to clog the avenue with cars. The sun slanted down behind him. Harry glanced at the drivers of the cars. They seemed unhappy. The world was unhappy. People were in the dark. People were terrified and disappointed. People were caught in traps. People were defensive and frantic. They felt as if their lives were being wasted. And they were right.
When young people see movies like 'Gandhi 'or 'JFK,' there is an element of romanticization of these powerful people, and young people often feel a huge distance between their own lives and the lives of these social-change heroes. But the Panthers were flawed-up people from the streets, so it's easier to identify with them.
I think it's a great city. I think it's a fabulous city. But in my young juvenile days, I was an idiot, and I bought 30 cars. And I need to drive those cars, and New York isn't really the place you can do that.
I want to give meaning to the history of the past, but to do it in real time, as if it were lived. This gives a special touch to my films, because you feel that I didn't have one single idea of the concrete meaning of what I wanted to say or what you have to feel or what you have to think. For me, this is the beauty, to see the past being born in front of you.
If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.
I didn't have the greatest equipment or the greatest facilities. I would see people with new shoes and better cars. I knew what I wanted and what I had to do to get what I wanted. I became a very Spartan person at a young age because of that.
I looked more widely around me, I studied the lives of the masses of humanity, and I saw that, not two or three, or ten, but hundreds, thousands, millions, had so understood the meaning of life that they were able both to live and to die. All these people were well acquainted with the meaning of life and death, quietly labored, endured privation and suffering, lived and died, and saw in all this, not a vain, but a good thing.
Best of all, as you're creating a board on Pinterest, other people can get inspiration from your ideas, so there's this cycle where what you're creating for yourself also helps other people make their lives.
When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.
Faulkner's characters, too, were uneducated. They were deprived, but they were allowed to have very rich inner lives. I want to advocate for that, for inner lives that are much more complicated and more poetic than we think.
The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
It’s what non-car people don’t get. They see all cars as just a ton and a half, two tons of wires, glass, metal, and rubber, and that’s all they see. People like you or I know we have an unshakable belief that cars are living entities… You can develop a relationship with a car and that’s what non-car people don’t get… When something has foibles and won’t handle properly, that gives it a particularly human quality because it makes mistakes, and that’s how you can build a relationship with a car that other people won’t get.
When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.
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