I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
Chick Lit uses humor to reflect life back to us. It's a very comforting genre, and it's the first time our generation has had a voice. It's a very important genre for all of those reasons.
I think comedy is a genre that has a lot of potential. It is a very content-driven film genre.
I think romantic comedy, when done right, is my favorite genre. It's just a genre that's very human.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
I love the fans of genre. Genre fans are the best fans. They're loyal, they're dedicated, and they're passionate about the projects. They get it on a cerebral level. Being a part of that culture and that world... It's very gratifying and very fulfilling.
I'm not really much of a genre guy. I think that audiences don't need that anymore where you just need a very specific genre. Audiences are very sophisticated, and as long as it's fun, it's okay and entertaining.
In the early '80s, I was blown away when I began to hear some of the earliest hip-hop songs, and I'm fascinated by all the permutations the genre has gone through.
Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.
I'm not fascinated about any particular genre, instead I'm more concerned about what public wants.
We are fascinated by the darkness in ourselves, we are fascinated by the shadow, we are fascinated by the bogeyman.
I don't know that I am fascinated with crime. I'm fascinated with people and their characters and their obsessions and what they do. And these things lead to crime, but I'm much more fascinated in their minds.
Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.