A Quote by Zal Batmanglij

Sarah Polley's 'Stories We Tell,' James Ponsoldt's 'The Spectacular Now,' Destin Daniel Cretton's 'Short Term 12' - these are really important movies. — © Zal Batmanglij
Sarah Polley's 'Stories We Tell,' James Ponsoldt's 'The Spectacular Now,' Destin Daniel Cretton's 'Short Term 12' - these are really important movies.
I remember being a kid, I was a little kid when my dad took me to 'Munchausen.' I guess he took my whole family, but I kind of didn't want to go for some reason. Then we got there, and I was so mesmerized by the movie, and I was really taken by the young Sarah Polley. I didn't realize until many, many years later that it was Sarah Polley.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
The most important thing that a company can do in the midst of this economic turmoil is to not lose sight of the long-term perspective. Don't confuse the short-term crises with the long-term trends. Amidst all of these short-term change are some fundamental structural transformations happening in the economy, and the best way to stay in business is to not allow the short-term distractions to cause you to ignore what is happening in the long term.
As we get older it is our short term memory that fades rather than our long term memory. Perhaps we have evolved like this so that we are able to tell the younger generation about the stories and experiences that have formed us which may be important to subsequent generations if they are to thrive.I worry though, about what might happen to our minds if most of the stories we hear are about greed, war, and atrocity
I don't know that movies are important. But I know that stories are important. Movies may disappear. They've only been around, for God's sake, for the last hundred years... I think that it's the need to tell stories, and that people need to be told stories. It's the old sitting around the fire, you know.
If we can get to that 3 percent grow, it is $2 trillion to $2.5 trillion worth of more government revenues. It's 12 million additional jobs. And those are 12 million jobs paying into Medicare, 12 million jobs paying into Social Security. Growth really is what's driving all of this and growth is what our focus is, which is why we're willing to accept increased short-term deficits in exchange for that long-term payoff.
I have a thing that I do when I meet famous people where I try to play it really cool. Sometimes I pretend like I don't know them.I was at this party and James Bond was there. Daniel Craig, but I think he goes by James Bond. Anyway, my wife is in love with him. He was in a tuxedo looking all James Bondish.
I used to publish these stories in 32-page comics, and I would either do short stories or break the long ones up into chunks so there would be some variety inside the comic. But since then, people have been doing more and more long, standalone works, and the term 'graphic novel' has sort of become the codified term now.
I'm thrilled I got to work with James Ponsoldt, who is going to make his mark on this industry.
The first time Brie Larson was really on our radar as somebody who we wanted to work with was 'Short Term 12.'
I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.
I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.
The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
Obviously not a Stephen King level writer, but I'd written short stories and short fiction, from the time I was 12.
I feel like it's important for young African-American girls - and all people - to read books that tell our stories and watch movies that tell our stories and do the research on our own, too, because sometimes that's not being told, and we're not being seen and shown.
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