A Quote by Zal Batmanglij
It's so hard to shoot wealth. It doesn't show up on film.
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I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
Growing up in Hollywood meant there were a lot of film stars' kids at my school - but no conspicuous wealth. It wasn't cool to show off that you had money.
I come from the school of thought that feels that if you can shoot film, you should shoot film.
When you film a reality show, it's so jumbled. They shoot episodes in all orders!
Make film, shoot film, run film. Do something. Make film. Shoot anything.
I have a lot of help before I show up to a shoot, whether it's video or photo or an appearance; there's a bunch of people that work on my face and on my hair and tell me what to wear. I just show up and then they do everything.
When you're accustomed to wealth, you don't show it, right? That's why the white kids in school could wear bummy sneakers; it's almost like, 'Don't show wealth - that's crass.'
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
I would love to shoot on film, but you can't really shoot a lot of footage on film, and you can't print a lot of it.
Anybody with a good smart phone can shoot and edit a film. Distributing it is the hard part.
I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.
Directing television is really hard - it's so fast. You shoot an hour show in seven days.
I used to shoot up and throw up, now I suit up and show up.
When I shoot a film, I take my camera and put it among the characters and let it show you their world, their problems, their happiness and the little things that matter to them.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
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