A Quote by Zal Batmanglij
We want to make a 100 million dollar movie that we have created, in the way James Cameron or Chris Nolan does. It's so inspiring when high-quality auteurs are writing and directing those movies. That's pretty cool.
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I just want to learn as much as I can, and that comes from the people I surround myself with. So whether that is on a one-million-dollar movie, or 100-million-dollar movie, it doesn't really matter.
If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
I don't want to make a 100 hundred million dollar movie I have no stake in.
Chris Nolan is great, but I've never seen any of the 'Batman' movies all the way through. I know they're good. I just have zero interest in those kinds of movies.
To somebody else saying all I need is 10 million dollars, then I've probably made it. But there are Paul McCartneys walking around with $500 million catalogs. That's pretty much what I want. And that's just music. That doesn't even include directing and writing of movies and all of the other things that I want to go on to do. So I have a big dream.
I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.
Chris Nolan went through Slamdance a year and a half after us, and he went on to direct 'The Dark Knight.' So the joke now is if you want to make superhero movies, that's where you have to go.
I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't.
James Cameron doesn't do what James Cameron does for James Cameron. James Cameron does what James Cameron does because James Cameron is... James Cameron.
The Seydoux-Schlumberger industrial empire won't make $100 million movies. Hollywood does that much better. But you don't make movies because of their budgets, you make movies because you believe in them. Setting limits doesn't matter to me.
In a daydream sort of way, I think it would be pretty cool to direct a movie. But I have been on movie and TV sets and know it is hard work. I like directing it in my mind. It is easier.
Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
It's funny you can pretty much substitute the same actors in that top tier, whether it's a Chris Evans or a Chris Pratt or a Chris Pine, for different movies and it becomes almost a joke. But it doesn't happen that way for people of color.
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