A Quote by Zal Batmanglij
I always think that 'Sound of My Voice' is a movie about the crumbs in 'Hansel and Gretel.' You know, those crumbs. It's about finding your way out of the claustrophobia and alienation of modern life.
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We are like Hansel and Gretel, leaving bread crumbs of our personal information everywhere we travel through the digital woods.
Luckily for you," he said, "you shed hairpins the way Hansel and Gretel shed crumbs. I followed your trail." He pressed a half dozen hairpins into the palm of my left hand. "Now let us return to light, safety, and society.
I think that 'Sound of My Voice' is about the claustrophobia of living today, and how do you crawl out of the claustrophobia towards the light?
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
I tell 'Hansel and Gretel' stories about heroic children who are lost in a world that seems friendly at first, and then isn't.
Most of [ the Negro leaders] who - who, whose existence or whose position of leadership depends upon the - on the subsidy or crumbs for - the crumbs from the white man's table, will only say what that white man wants to hear. When they get behind the door they talk a different language.
We were as Hansel and Gretel and we ventured out into the black forest of the world.
Sometimes, when Bridget was in a particularly melodious mood, Sophie thought about stalking downstairs and pushing her into the oven like the with in 'Hansel and Gretel.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
My poor soul! Sigh, pray and strive to take upon you the blessed yoke of Christ, and you will live on earth in a heavenly manner. Lord, grant that I may carry the light and goodly yoke, and I shall be always at rest, peaceful, glad and joyous; and I shall taste on earth of crumbs which fall from the celestial feast, like a dog that feeds upon the crumbs which fall from the master's table.
A crumb is a great thing: If you break a crumb in half, you don't get two half-crumbs, you get two crumbs. Doesn't that violate some law of physics?
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
Belief must be something different from a mixture of opinions about God and the world, and of precepts for one life or for two. Piety cannot be an instinct craving for a mess of metaphysical and ethical crumbs.
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