A Quote by Zal Batmanglij

The beauty of Netflix is, their job is to put stories out there, and not stories that appeal to everybody, which is maybe NBC's job? — © Zal Batmanglij
The beauty of Netflix is, their job is to put stories out there, and not stories that appeal to everybody, which is maybe NBC's job?
It is easy to say that if such harassment happens, walk out of your job. But people depend on that job. It is about their livelihood, a question of survival. So while we must encourage victims for coming up with their #MeToo stories, we should not judge women for not sharing their stories.
We have to hear the stories of women at all ages of their lives in order to really present a picture of what it felt like to be alive in our time. That's what our job is as writers is to present that and create it. Our job as writers isn't to make as much money as we can. Our job is to create a record of this time. That's why if you leave out women and the stories of women, we failed at our mission. All of us. Men and women.
Because I've worked with Netflix from the beginning, and that's my first job, I only want to work with creators, producers, and networks that are pushing the limit and putting people on the screen that haven't had their stories told yet.
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
It sounds corny, but I think people need stories to process the world. That's our business. That's the job we're in. We tell stories.
If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
As a reporter, going around, you hear stories you can't prove, which means you can't put them in the newspaper. But they're good stories, and I would jot them down thinking maybe one day I could write that as a short story.
As a Black woman filmmaker I feel that’s my job: visibility. And my preference within that job is Black subjectivity. Meaning I’m interested in the lives of Black folk as the subject. Not the predicate, not the tangent.[These stories] deserve to be told. Not as sociology, not as spectacle, not as a singular event that happens every so often, but regularly and purposefully as truth and as art on an ongoing basis, as do the stories of all the women you love.
The best part of my job is being able to travel to places to investigate powerful stories, many of which contains unsolved mysteries and deaths. To me as a documentarian and paranormal investigator, this puts the adventure in my life and meaning to my job.
What we have here is a rousing boy's adventure story, adapted from stories that Edgar Rice Burroughs cranked out for early pulp magazines. They lacked the visceral appeal of his Tarzan stories, which inspired an estimated 89 movies; amazingly, this is the first John Carter movie, but it is intended to foster a franchise and will probably succeed.
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
When I wrote 'Sideways Stories from Wayside School' I never expected it to be published. It was kind of a hobby. Now, it's a job, but it's a job I like very much.
We are told not to privilege one story above another. All the stories must be told. Well, maybe that's true, maybe all stories are worth hearing, but not all stories are worth telling.
Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.
People always put me completely out of the game, and that's even nicer because nobody expects you to do a good job and then you do a better job than everybody thinks and it's nicer.
I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
This site uses cookies to ensure you get the best experience. More info...
Got it!