Dialogue is the basis of Indian culture, and we don't want to make any enemies. Political and ideological adversaries, perhaps, but not enemies.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
It is hard to make your adversaries real people unless you recognize yourself in them - in which case, if you don't watch out, they cease to be adversaries.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
If you turn the other cheek, you will get a harder blow on it than you got on the first one. This does not always happen, but it is to be expected, and you ought not to complain if it does happen.
If we're being unilateral, then communication does not happen, the relationship does not happen.
If a man fights his adversaries, he's called determined. If a woman does it, she's frustrated.
I like writing dialogue - I can hear my characters so clearly that writing dialogue often feels as much like transcribing something as it does like creating it.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.
Don't wait for it to happen, don't even want it to happen - just watch what does happen.
The Internet allows foreign adversaries to attack America in new and unexpected ways. Free and fair elections are hard-fought and contentious. There will always be adversaries who work to exacerbate domestic differences and try to confuse, divide, and conquer us.
Everything that can happen, does. That's quantum mechanics. But this does not mean everything happens. The rest of physics is about describing what can happen and what can't.
You know, I look at Britney Spears who can't even drive without paparazzi in her face, and if I ever get to that level, which I don't expect, but if it does happen and success does happen to come my way, then I'm going to be prepared.
I love the movie 'Taken,' but the dialogue in the beginning of that movie is hilarious. They're talking, these commando types, and there's dialogue like, 'Hopefully your daughter appreciates what you're doing for her. Does she know that you're doing it?' What guys talk like this?
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
When I paint, mysterious things happen. What starts with a void ends with a dialogue.