A Quote by Zareen Khan

I am extremely choosy about the scripts that I accept. I choose movies from an audience point of view - keeping in mind what they would like to watch. — © Zareen Khan
I am extremely choosy about the scripts that I accept. I choose movies from an audience point of view - keeping in mind what they would like to watch.
I am extremely choosy about my roles as I want variety; I would like to work with the best of people.
I am extremely choosy about the work I do.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
The truth is, I can choose to view tough times as growing times, I can choose to see aging as seasoning and I can choose to focus on whatever good there is to be found in living. I choose. After all, it's my point of view.
From a human point of view, the difference between the mind of a human and that of a mountain goat is wonderful; from the point of view of the infinite ignorance that surrounds us, the difference is not impressive. Indeed, from that point of view, the goat may have the better mind, for he is more congenially adapted to his place, and he would not endanger his species or his planet for the sake of an idea.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
I select movies keeping in mind that my family should be able to watch it.
Personally when I listen to a script, I think from the audience's point of view. I would ask myself whether they would like to see me in this role?
I clearly have a point of view; I am very passionate about my point of view. I am a commentator.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
Yes, I'm extremely choosy about my work.
I became extremely choosy about films.
I often give my wife Carol scripts I'm offered and want her opinion - because she's a really smart lady, and she's got nothing to do with this business, so I get the audience's point of view.
My victory is when the audience buys a ticket to watch my film. I am extremely thrilled when they give it a thumbs-up.
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