A Quote by Zooey Deschanel
I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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When you're picking up and moving, it does create... well, I can sleep anywhere, which is really useful, it turns out, on movie sets. But what it really does is teach you how to adapt and change and fit into a new group or school, and that really is a lot like turning up to a new movie project and finding your place.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
"Well, we knew it. Women can't sell movies". That's what it used to be like. "Well, this movie did well, but it's a fluke."
If the movie does well, or it doesn't do so well, some movies get great reviews, some movies don't... that's just part of what I do for a living. I just move through all that; that doesn't ever stop me.
To your point earlier if a female movie does well they're like "Oohhhh! I can't believe it did well! Maybe the next one will do well, too."
I always expect the worst from this evil and wicked world and am often pleasantly surprised when the worst does not come to pass, but never or rarely surprised or upset when it does.
It does not help the vast majority of Americans, but it does really well for people already at the top. Well, we're going to turn that upside down. We're going to make the wealthy pay their fair share in taxes for a change.
The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
Movies are a director's medium, and they end up getting less credit than actors. They get the flak if the movie doesn't do well, and the actor walks away with most of the credit if the film does well.
I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.
But at some point, you know that - you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker." Gang, at some point, they're going to come for you!
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
When we are at the worst times of our lives, when we are battling with something, or struggles, whatever it may be, when we are at our highest point as well, when things are going really well, we want somebody to comfort us and be there for us and to say, 'Well done.' That's Jesus!
A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I went from people just thinking I was, like, a baby to people thinking I’m this, like, sex freak that really just pops molly and does lines all day. It’s like, 'Has anyone ever heard of rock 'n' roll?' There’s a sex scene in pretty much every single movie, and they go, 'Well, that’s a character.' Well, that’s a character. I don’t really dress as a teddy bear and, like, twerk on Robin Thicke, you know?
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