A Quote by Zoya Akhtar
I write my films with Reema Kagti, and I think all the characters that I have written, somewhere or the other, reflect my thoughts, ideology and morality.
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I've always written about other artists, or I write my thoughts down, but I've never written a story.
One of my favorite ways to write paranormal, as in the 'Wake' trilogy, is to write very normal characters with just a hint of something other-worldly. Like somewhere, maybe, someone really can get sucked into other people's dreams.
I like to write, I like to reflect, and not just poetry, I like to write my thoughts down. I think it's good for people who are more introspective, and it helps me get a better understanding of myself.
Growing up, I wanted to write films and make films. Even as I took this detour and stayed in the music world, I still think in terms of 'What is in this room? What is the shot? Who are the characters? What is the conversation here?' My sense of pacing is very filmlike, it's not musical.
I do think of my films as morality plays, even though my reputation is, you know, splatter films and like that. But I think of them as very moral.
I think that the Pulitzer Prize is definitely a blessing, but it's also a curse. Because I think that it is a blessing because the work gets more exposure, especially that particular play and then other works of yours too. And then it's a curse because people anticipate that you will write something like you've already written. I think it's really wrong because, you know, I think, as a writer, I'm in a process and I'm somewhere in that process, and I need to continue to develop.
The minimum necessary structuring ingredient of every ideology is to distance itself from another ideology, to denounce its other as ideology.
I think ideology is toxic, all ideology. It's not that there are good ones and bad ones. All ideology is toxic, because ideology is a kind of insult to the gift of human free thinking.
I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another.
Although I'm not Christian, I was raised Christian. I'm an atheist, with a slight Buddhist leaning. I've got a very strong sense of morality - it's just a different morality than the loud voices of the Christian morality.... I can't tell you how many films I've turned down because there was an absence of morality. And I don't mean that from any sort of Judeo-Christian-Muslim point of view. I'm not saying they're wrong and can't be made. But, fundamentally, I'm such a humanist that I can't bear to make films that make us feel humanity is more dark than it is light.
I think that I write much more naturally about characters in solitude than characters interacting with others. My natural inclination - and one that I've learned to push against - is to give primacy to a character's interior world. Over the three books that I've written, I've had to teach myself that not every feeling needs to be described and that often the most impactful writing more elegantly evokes those unnamed feelings through the way characters speak and behave.
I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.
'Shadow and Bone' was my first book, and I think I was unconsciously echoing a lot of the fantasy that I had grown up with, which sets a kind of default for straight white characters. And that's something I've tried to improve on as I write, to write more authentically and reflect the people around me in the world, around me more realistically.
I have always written about characters who fall somewhere in the spectrum between solitary and totally alienated.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
I do not think that when I write a female character, I intend to reflect my thoughts on gender equality, but I always make sure that my female character is not decorative, they are human, they are good, bad, complex and close to reality.
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