A Quote by Zozibini Tunzi
My thing about gender-based violence is to bring in the men. Because people would ask women, 'What do you think we should do to fight this?' And I'm like, 'Why are you asking me?' I'm not the perpetrator in most of the instances so why don't we call on the people that are?
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People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
Some people ask: "Why the word feminist? Why not just say you are a believer in human rights, or something like that?" Because that would be dishonest. Feminism is, of course, part of human rights in general-but to choose to use the vague expression human rights is to deny the specific and particular problem of gender. It would be a way of pretending that it was not women who have, for centuries, been excluded. It would be a way of denying that the problem of gender targets women.
People ask me why I'm so hard on men. It's because they've gotten a really easy ride. And it's not that I think women should take over the world. But I do think it should be 50/50.
I think it's completely unnecessary why people want to know why I dress in a suit at a press conference if I'm at a fight. They should ask questions about my fight, not my suit.
Some men and women are inquisitive about everything, they are always asking, if they see any one with anything they ask what is that thing, what is it you are carrying, what are you going to be doing with that thing, why have you that thing, where did you get that thing, how long will you have that thing, there are very many men and women who want to know about anything about everything.
People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.
When people were very concerned about the violence against women, I encouraged people to stick with it because it was going somewhere and there was a reason why. It's all a commentary on gender roles and women and having to be the damsel or to stay on the ranch or to stay at home.
People ask me almost every day, "Why? You are successful, you have kids, you have grandchildren, so why?" Feminist women are seen as unsatisfied. But all women in the world, if they are well aware of inequality, are unsatisfied women. They don't have the same rights as men, and there is no freedom until there is equality between men and women.
People ask me what men can do, and I tell them, even if you're not a perpetrator, you should believe women - or queer folks - when they say that they have been violated.
There are tons of women's perfumes that I've smelt and been like, 'I love that. I would totally wear that,' and lots of women smell a lot of men's cologne and think the same thing about that. I think there should be no reason to put gender on it.
In the global push to stop gender-based violence, men in the entertainment industry need to join forces with women to end violence by men against women and children.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
The thing I remember the most was not understanding why, if you were doing the right thing, then why did people want to kill you? I remember asking my parents, 'Why is it when people are trying to help other people then they're dying?'
As an artist, I never wanted to be fettered by gender nor recognized or defined as a female poet, musician or singer. They don't do that with men - nobody says Picasso, the male artist. Curators call me up and say, "We want your work to be in a show about women artists," and I'm like, why? For Christ's sake, do we have to attach a gender onto everything?
Professional fights between men and women send the message that violence between men and women is appropriate. In most homes, that's not a fair fight, which is why I'm against intergender boxing.
I don't do the media because of 'Woo-woo, Julia Butterfly,' as I call it. I'm not into promoting me. I'm into talking about why I've done what I've done, why I continue to do this work and why other people should care.
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