A Quote by Ava DuVernay

I was a publicist for other people's movies. — © Ava DuVernay
I was a publicist for other people's movies.
I have people introducing themselves to me: 'I am your publicist; what can I do for you?' But I have never learned how to use a publicist.
You go through publicists because it's easy for a publicist to say to another publicist, 'No'.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.
After three major movies, I was like, 'Oh, I guess you're supposed to get a publicist?' Girls that are in the business now that are successful are more savvy.
I spent a whole 12 years helping other people tell their stories as a publicist, so just to be able to go and write and get behind the camera, that's my thing.
I wonder if people who see 'Blade' will have even seen my other movies. But I don't want all my movies to be in a vacuum. I need a balance because one pays, and the other doesn't.
People don't learn science in movies. You don't go to the movies thinking, 'I hope I learn some quantum mechanics this afternoon.' But on the other hand, movies are instrumental and influential in getting young people interested in science.
I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.
I rarely get the "Annie Hall" references other than from people who are aficionados of movies, people who really care about movies. But in general, people don't even think about it.
Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.
I've always been passionate about these different (film) genres. Kung fu movies, samurai movies, Japanese movies, all this kind of stuff, and my love for it, and just trying to present it in a way that other people can love it as much as I do.
What other people are adapting from the comics medium, I watch with as much interest as I do any other movies. Because I'm a fan, and I want to see what other people are doing in the world.
I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicist who's been there eight times. Getting there as a filmmaker was a completely surreal, different, unexpected experience.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted.
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