A Quote by Agnes Varda

I didn't see myself as a woman doing film but as a radical film-maker who was a woman. — © Agnes Varda
I didn't see myself as a woman doing film but as a radical film-maker who was a woman.
It's a wonderful thing to see 'Wonder Woman' directed by a woman. That did have an affect on the character, the , and the nuances of that film. That's the same thing my wife, Mara Brock Akil, and I are doing taking on 'Black Lightning.'
Only six percent of films are made by women. And so in that that paradigm, a woman making a film at all is a political statement. A woman speaking her truth creates a feminist film.
The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.
If you go to see a film with a woman you love, then even if the film is bad, you can hold hands and laugh at it.
When I used a woman in my films or wrote a woman into my film, I wanted her to be a central point and a motivating point or a catalyst to function in the film.
There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.
There was a very difficult time when a female hero was a man in a woman's body. 'Hunger Games' really changed that: a woman leading a non-woman's film in the action genre. I think 'Wonder Woman' does that on a very big scale.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.
My experience I consider an accident in the Hollywood system. I don't believe it should be a reference for a black film maker, or an example for any young film maker, because it's purely luck.
I am a woman, and I am Jewish; I'm a film-maker, and I'm a writer, so you cannot just put me in one box.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
If you create something that is essentially alien to you - as a man - and make a film about woman, the more I can surround myself with woman and combine it with my soul's point of view, the more I become a stranger in a strange land.
When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.
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