A Quote by Adrian Lyne
And I think you understand a little bit more why she falls for him. In a way, watching the French do anything is a little more fun because their gestures are different. And in that way, they make everything interesting.
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I loved Jack because of every little thing about him. The way he laughed, the way he made me smile, the way he'd stay up until nine in the morning watching zombie movies he'd seen a hundred times, and the way he could never hold a grudge. I loved him because I loved him, not because it was fate or destiny or in my blood, We had chosen each other, and that felt more powerful and more magical.
I'm different, that's all. Everyone is different in their own ways - but I'm maybe a little bit more different in a little bit more different kind of way.
I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.
Throughout the course [of Twilight], you get to see a little more of her vampiric side, because I think she's this vampire with a heart of gold and so that was kind of fun - to show her be a little tough and a little fierce, and to show that she has a little bit of a sassy side when she's dealing with the wolves or with Jacob. So I feel like I got to really round [Alice Cullen] out quite nicely.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
I think all of us who kind of live within the sport recognize that Davis Cup certainly could be a little more visible if perhaps there were some adjustments made to it, and it was made a little bit more easy to understand for the fans, if there's a little bit more of a start and finish line.
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers, and possible beliefs, and different degrees of uncertainty about different things, but I am not absolutely sure of anything. There are many things I don't know anything about, such as whether it means anything to ask "Why are we here?" I might think about it a little bit, and if I can't figure it out then I go on to something else. But I don't have to know an answer. I don't feel frightened by not knowing things, by being lost in the mysterious universe without having any purpose - which is the way it really is, as far as I can tell.
Having a daughter makes you see things in a different way. You have to see how you're carrying yourself because there's a little girl. There's not a little boy, there's a little girl. I think I'm a little more overprotective.
Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.
That's exactly what I'm driving at. 'Basterds' was interesting because it was, in a way, unfamiliar. I thought well, OK. Let's leave the comfort zone and just risk it. Why not? Because, exactly as you said, in a way, by taking that risk, I make up a little bit for my ignorance in the subject, or rather, the genre.
I'm definitely going to be setting up a trust fund for my little nephew, because I really want him to have a little bit of an advantage when it comes time for him to make his way in the world.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
I think everybody who really wants to change things has to allow themselves to be angry in a constructive way, and you have to fully understand the thing you're trying to change. We really need to get serious about this now; there needs to be real, effective programs. I think there needs to be a little bit more strategy involved and a little more realism, to be pragmatic and realistic, looking at the way we as women contribute to the problem. Once the second half of the population stops doing it, it's going to end.
I believe I've accomplished my goals of trying to get better every year, and a little bit of that, a little bit of luck, a little bit of everything just falls in place, and you end up on top.
Another thing that I like and that's fun for me is to try and talk and play music at the same time, because I feel like I'm learning something. There are these little challenges built into it; it's a way to push myself a little bit more as a performer.
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
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