A Quote by Adrian Lyne

Always, with any movie that I do, I have a book of ideas that I've heard, or seen, or whatever, and I always try to incorporate it in the film. — © Adrian Lyne
Always, with any movie that I do, I have a book of ideas that I've heard, or seen, or whatever, and I always try to incorporate it in the film.
When a movie based on a book comes out, people always say that the book is always better than the movie. So I'm always interested in reading the book, too.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
I always try to incorporate something in every book that I've never used before. Hopefully, spontaneity will keep readers reading.
I always try to better myself with every movie I make. I don't take anything sitting back, and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film, and I think I am growing with each movie.
Being a quarterback, the way I believe is there's always so much room to improve. Any little detail. I always cut up the film and try to watch what I can improve on, whatever little detail it is.
We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.
I've always seen L.A. as a giant kind of laboratory for ideas in a caldron for concepts where you can try anything you want to and if it fizzles, so what, you try something else.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
I've always dabbled. I've always nearly written a book, I've always tried painting, I've always tried to make something out of ideas, really. It was never a plan. I never thought, "Right. First I'll get famous, and then I'll do a book.
Inevitably you're going to be delayed somewhere. Always have a book. Always have a movie. Always have a notebook. And then always have a sense of humour.
I always try to develop a good relationship with the director on any film and make sure that we want the same things and we're talking about the same ideas, and that gives me great protection.
I always try to better myself with every movie I make. I don't take anything sitting back and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film and I think I am growing with each movie. And I think it's important because you need to strive to better yourself.
When I do book readings, I always incorporate music or singing.
My music is not always about getting my ideas heard, it's about letting other people feel empowered to have their ideas heard by example.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas.
The beauty of ideas is that they are like waves in the ocean and they connect with things that came before them, and I think it is very important to embrace things that interest you and influence you, and incorporate them into what you do, as all artists have always done. The ones that say they don’t, are lying. Or are afraid that their work won’t be seen as being original, somehow.
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