A Quote by Ayelet Waldman
I love the novel of 'The English Patient'; I think it's a profoundly beautiful novel. I love the movie of 'The English Patient'; I think it's a profoundly beautiful movie. And they're totally different. You accept each on its own terms, and that's kind of the ideal.
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The English Patient' is about the coming together of a French-Canadian nurse, an English patient, a Sikh in a turban and me, Caravaggio, and each of us is seeking a resolution to our own problems.
We learn much of parenting from our own parents. My love for my father deepened profoundly when he was kind, patient, and understanding.
In this movie, 'Jigarthanda,' audience can feel it as English movie because this BGM is totally different from Indian background score.
If you've ever compared a film to a novel it's based on, you know the novel gets bludgeoned. It's inevitable, because different media have different strengths and needs, and when you make a movie, the movie's needs get served.
In Italian, the word for novel is romanzo, "the romance." The English is "novel" - something new. Both of those elements, experimentation and love, are fundamental to the form.
What is essential in love is what the French call 'amour fou.' What is that in English? Crazy love? That doesn't sound as beautiful. It's a total kind of love that not only embraces feelings, actions, but a kind of understanding of the world from the perspective of love.
I love 'A Mighty Wind.' Even though it's not a funny movie, I think that's kind of beautiful and sweet.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
Food, medicine, beauty, and love. When we talk about them in English,
they seem so different from each other. But looking at them from
another perspective, they are not so different. Good food is a part of
good health. Good health leads to good looks. Love surrounds it all.
When we feed or heal, we share love. When we love and are loved, we
are beautiful.
Formerly it was the fashion to preach the natural; now it is the ideal. People too often forget that these things are profoundly compatible; that in a beautiful work of imagination the natural should be ideal, and the ideal natural.
People think that they will sit down and produce the great American novel in one sitting. It doesn't work that way. This is a very patient and meticulous work, and you have to do it with joy and love for the process, not for the outcome.
The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
Beginning today, make the decision to love and accept yourself just the way you are. Say your name followed by the words "I love you" and make this your daily mantra, repeating it often, especially during times of stress. Let it be your first thought upon arising and the last you think before falling asleep at night. This simple act of self-courtship can profoundly change your world. Try it for yourself and see. Make a personal decision to be in love with the most beautiful, exciting, worthy person ever - you.
In a couple of Ahdaf Soueif's novels, she gets at the certain kind of English that's being spoken by Egyptians. It's a beautiful, expressive English but it is non-standard, "broken" English that happens to be efficient, eloquent, and communicates perfectly well even if it is breaking rules.
I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate.
You've never heard of an English lover. Only an English patient.
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